'Manchester', 'Moonlight' and 'La La Land' Lead Early Critics Awards

It has begun. Awards season is "officially" underway after what has been a busy seven days of early -- and I mean ridiculously, unnecessarily early -- precursor citations. The main takeaway: In a studio year as lack-lustre as 2016 was, it looks like critically acclaimed indies will be leading the race, namely Barry Jenkins' Moonlight, Kenneth Lonergan's Manchester by the Sea and Damien Chazelle's La La Land, while some sneak-peek twitter reactions to Scorsese's recently screened Silence paint it as a major last-minute lurker that could crash the party.

The National Board of Review got the ball rolling last Tuesday, handing Manchester four prizes including Best Film, Best Actor and Best Screenplay. Moonlight trailed with a pair of wins for Jenkins' direction and Naomie Harris' incredible performance.

The New York Film Critics Circle followed up two days after with three prizes apiece for both Manchester and Moonlight, but at the eleventh hour voted in favour of La La Land as Best Film (not an unprecedented move for that group).

That same day, La La Land went on to dominate the Critics Choice nominations with 12. Again, Moonlight had a prominent showing with 10, Manchester with 7 (Full list of nominees will appear at the end of the post with some quick takes).

The LA Film Critics Association rounded out the week by naming Moonlight the best of the year just this afternoon. The film also won Best Director, Supporting Actor and Cinematography. La La Land only earned a single prize from the west coast crew (for music), but was runner-up in five other categories, making it the most represented title in the group's day of announcements. Hmmm... were they afraid giving it multiple wins would smack of homerim?

'Manchester' Expands Just Before Awards Start Dropping

As November winds to a close we find ourselves on the eve of awards season, which is even earlier than usual this year thanks to the National Board of Review's ridiculously premature awards announcement slated for Tuesday. Many of the titles we'll be hearing over the course of the next month from regional critics groups and the like won't even be available to the public until the last possible week of 2016, with presumed heavyweights La La Land, Fences and Silence all bowing at Christmas (or much later depending on where you live). Might this allow the established love for the marvelous Moonlight to shine through when Oscar balloting starts? One can only hope.

But another modest indie that might challenge Barry Jenkins' humanist portrait for the lion's share of critical prizes is Kenneth Lonergan's much-buzzed-about Sundance hit Manchester by the Sea, which began its gradual expansion this weekend. Much has been written about how emotionally devastating the picture is, made all the more palpable by its chilly New England environs, but audiences may be surprised to discover it's practically a comedy of manners built upon grief. Lonergan is less interested in telling a tight, tidy story than he is in simply sitting us down with these characters and trusting us to find fascination in the varied -- at times amusing -- ways they respond to tragedy (which of course, is never tight and tidy anyway).

Critics Season Opens, While Films They Honour Do Not

December is officially here, so the critics have begun unloading their year-end superlatives. But since those of us in the real world still have 26 days before the end of the year, some of the biggest honorees are still an unseen mystery to us. Todd Haynes' Carol was undoubtedly the biggest love-affair for the New York Critics Film Circle, who handed it four prizes including Best Film, but I'll be lucky if it opens anywhere near me before the month is out.

The National Board of Review, while naming Mad Max: Fury Road their best of the year, threw far more support in terms of number of prizes behind films like The Martian (Best Director, Actor and Adapted Screenplay) and The Hateful Eight (Best Supporting Actress and Original Screenplay). The latter won't even begin limited engagements until Christmas!

But I was not completely starved for entertainment. Rocky spinoff Creed opened during the American Thanksgiving weeekend, and I found it rather enjoyable. Writer-director Ryan Coogler showed much promise in his 2013 debut Fruitvale Station, as did star Michal B. Jordan, and both continue to prove their genuine talent in this crackerjack boxing flick.

NBR pipes up for 'A Most Violent Year'

The significance of the National Board of Review is always debated when they chime in each December. Since it isn't really a critic group or an industry organization, they can sometimes make choices that will certainly not be reflected by the Academy two months down the road. Then again, sometimes those odd choices can serve as a nifty exposure boost for a low-profile contender (remember Jacky Weaver back in 2010?)

This year, it's J.C. Chandor's A Most Violent Year that could benefit the most from their singular taste, picking up mentions for stars Oscar Isaac and Jessica Chastain in addition to the Best Film honour. As a small film just on the outside of the Best Picture bubble (kinda like Chandor's All Is Lost, ultimately an under-seen awards disappointment last year), this could do a real service to the film.

NBR names Spike Jonze's "Her" year's best

Another day, another precursor triumph for a film I won't get to see for ages. The National Board of Review named Spike Jonze's postmodern romance Her the Best Picture of 2013, with Jonze himself taking Best Director honours as well. Nebraska picked up a pair of acting honours for stars Bruce Dern and Will Forte (both of them arguable co-leads).

My favourite choices of the lot: Stories We Tell for Best Doc (but you already knew that), and Prisoners for Best Ensemble (it'll definitely be making my top five ensembles of the year).

NBR crowns Zero Dark Thirty

Mirroring the NYFCC's decision, the National Board of Review named Kathryn Bigelow's Zero Dark Thirty the best of the year, including honours for Bigelow herself and star Jessica Chastain. The film, which we mortals won't get to see almost until Oscar nominations are upon us, is shaping up to be the critics' favourite throughout the month of December, much to the chagrin of Paul Thomas Anderson's The Master I'm sure, which was perceived to have filled that slot up until just last week when Bigelow's film finally screened for press. Anderson's beguiling opus was shut out here as it was by the New York critics, failing to even make the top ten films list. It had better hope the L.A. critics stump for it in a big way, or it could vanish from the conversation entirely.

Another big winner is David O. Russell's Silver Linings Playbook, for which Russell won Best Adapted Screenplay and star Bradley Cooper won Best Actor against a wealth of Oscar-luring competition. This is a big boost for him. Costar Jennifer Lawrence is already a likely nominee for Best Actress, but Cooper is on the bubble in a crowded field. His win here is good springboard for his campaign.

National Board of Review annoints "Hugo"

Scorsese's venture into the realm of 3D family fantasy has yielded a somewhat surprising Best Picture and Best Director winner with the National Board of Review. I admit to being somewhat sceptical of it chances in the major Oscar categories, but maybe I've been underestimating it.

The other big winner, after being shut out by the NY Critics two days ago, was Alexander Payne's The Descendants, landing awards for George Clooney, Shailene Woodley, and its screenplay.

All winners after the cut.

NBR Winners!

The Social Network is the big winner in this early precursor, which only gives us more reason to believe that The King's Speech will be triumphant on Oscar night.

Jackie Weaver's campaign gets a helpful shot in the arm with a Supporting Actress win here, and I'm thrilled to see the cast of The Town (one of the year's absolute best in my opinion) win Best Ensemble.

One incredulity of note: Where the hell is The Kids Are All Right? You mean to tell me it isn't even one of the ten best independent films of the year, let alone one of the ten best overall? Ridiculous. But I won't waste my rage on the NBR. Gotta save some vitriol for AMPAS, don'tcha know.

BEST FILM
The Social Network

BEST DIRECTOR
David Fincher, The Social Network

BEST ACTOR
Jesse Eisenberg, The Social Network

BEST ACTRESS
Lesley Manville, Another Year

BEST SUPPORTING ACTOR
Christian Bale, The Fighter

BEST SUPPORTING ACTRESS
Jacki Weaver, Animal Kingdom

BEST ADAPTED SCREENPLAY
Aaron Sorkin, The Social Network

BEST ORIGINL SCREENPLAY
Chris Sparling, Buried

BEST FOREIGN LANGUAGE FILM
Of Gods and Men

BEST DOCUMENTARY
Waiting for Superman

BEST ANIMATED FEATURE
Toy Story 3

BEST ENSEMBLE
The Town

NBR Predictions

The National Board of Review announces they're yearly superlatives tomorrow, officially kicking off a long stretch of critics groups awards throughout December that will eventually merge into a slew of guild announcements in January.

Of course it's silly to try and objectively guess what they will do with no other precursors to go by, but here I go anyway:

Top ten:
127 Hours
Black Swan
The Fighter
How to Train Your Dragon
Inception
The Kids Are All Right
The King's Speech
The Social Network
Toy Story 3
Winter's Bone

Best Picture: The King's Speech