National Board of Review annoints "Hugo"

Scorsese's venture into the realm of 3D family fantasy has yielded a somewhat surprising Best Picture and Best Director winner with the National Board of Review. I admit to being somewhat sceptical of it chances in the major Oscar categories, but maybe I've been underestimating it.

The other big winner, after being shut out by the NY Critics two days ago, was Alexander Payne's The Descendants, landing awards for George Clooney, Shailene Woodley, and its screenplay.

All winners after the cut.

Review - The Descendents

The Descendants, Alexander Payne's eagerly anticipated followup to Sideways, tells a sad, drawn out tale of grief and growth with a mellow Hawaiian flavour.

George Clooney plays Matt King, a landowner from Oahu whose wife is in a terminal coma following a boating accident. With his two daughters Alex and Scotty (Shailene Woodely and Amara Miller) struggling to cope in their own unique ways, and with a pending business transaction that would make Matt and his extended family very wealthy at a moral cost, the stress has already reached a smothering level. The discovery that his wife was cheating on him with a slick realtor is only the grain of salt that tips Matt's scale in the direction of (for once in life) taking action, setting him a personal mission to confront his wife's lover in the hopes of finding some kind of closure – or maybe something else entirely.