My Award Nominations: Supporting Actress

What a year for actresses in all roles, big or small. Even if you pulled Viola out and put her in an already crowded Best Actress race, you'd still have more than enough options to flesh out Best Supporting Actress. These are the five ladies I settled on, after much deliberation:

Will the Best Pic Contenders Please Stand Up?

The agonizing wait for Oscar movies to finally show themselves towards year's end is annual gripe of mine. While some years aren't as bad as others, 2016 has thus far proven to be exceptionally back-ended, with nearly every predicted Best Picture contender waiting until the last two months of the year (three months if you include the inevitable January roll-outs) to debut to the public. Only next weekend's limited release of Barry Jenkins' festival darling Moonlight provides us with the faintest hope of a Best Pic nominee that dares to drop before November.

How did it get to be this bad? Looking back over the young expanded Best Picture era, every slate has contained at least two or three films that bowed in October or earlier -- heck, some from the summer and spring -- that would have been absolutely pulverized by the competition had they waited for the winter glut. I fear that fate may be lurking for some of this year's late-breaking gems, whatever they may be. The season's barely underway and already I can tell this is going to be one of my biggest pet peeves.

Oscar Postmortem Pt. 3: The show

Properly reviewing an Oscar ceremony can be tedious business, so I'm not gonna do it. Not properly, at least. The whole never quite amounts to the sum of its parts (although the Condon/Mark production from 2009 comes awfully close), so it's easiest just to look back and assess those parts at face value. Let's take a look at some moments that stood out (for me anyway) at the 86th Academy Awards

After last year's show hosted by Seth McFarlane came under such harsh critical fire, the pressure was on returning producers Craig Zadan and Neil Meron to atone. They made all the safest possible choices, and it started with the selection of Ellen Degeneres to return as host after her first kick at the can seven years ago.

Ellen assures viewers around the world, "We're fine. Thank you for your prayers" in regards to the rain.

One Category at a Time: Supporting Actress

Of the four acting categories, this is definitely the one that feels like it's in the most flux. The four televised precursor awards having been split between two actresses; one who has made a fresh splash on the scene with a staggering dramatic performance accompanied by charming speeches on the red carpet and at the award podium, and another coming off a recent Oscar win and reveling in a flashy comedic turn. Let's take a look at them (oh, and the other three) after the cut.

My Award nominations: Supporting Actress

Like it was with the men, work from Supporting Actresses this year was not quite as conspicuously strong as the leading roles, but there were a couple of real standouts in my opinion (and others' opinions too, going by the way awards bodies have been falling in line). Here are my top five:

SAG winners

So the Screen Actors Guild has had their say, and for the most part, they were in lock step with the beat the season has set so far.

All the expected actors followed up on their BFCA wins two days ago, with the only category of some dispute being supporting actress. Lupita Nyongo's win tonight over chief competition Jennifer Lawrence (who won just last year) seems to have effectively settled that question though.

SAG, PGA Preview

The first of the industry's top guilds to announce their winners for 2013 will be the Screen Actors Guild (broadcast live tonight) and the Producers Guild of America (tomorrow).

All eyes are on American Hustle to snatch SAG's coveted Best Ensemble award, but nothing's ever set in stone. Remember just last year that another starry David O. Russell ensemble piece, Silver Linings Playbook, was also pegged to take this category, only to be trumped by eventual Best Picture juggernaut Argo, despite it not winning any individual acting honours. So it is possible that 12 Years a Slave could still pull the same trick it did at the Globes and the Critics Choice; keeping a lower profile all night before popping up in the final envelope.

Critics Choice Awards

So the critics choice awards have been announced, and as usual, they're up to their old anticipatory ways, opting for whichever titles (at this point in the race at least) appear to be the leading contenders in their respective categories. I was astonished at just how many winners I was guessing right mere seconds before they were called, but with a group this predictable that's hardly a significant feat.

One category I was happy to guess wrong was Supporting Actress. It did not go the way of Golden Globe victor Jennifer Lawrence, but instead went to the only contender in that field who I think should even be uttered in the same breath as the word "Oscar", the lovely Lupita Nyong'o. She gave a beautiful speech to boot. It may be down to the SAG Award to break the tie.

In addition to Nyong'o, the film picked up Best Adapted Screenplay and Best Picture, but Gravity ruled the trophy tally with seven wins, although two of them were for dubious genre categories Best Sci-Fi/Horror Movie ("Sci-fi" my ass) and Best Actress in an Action-Movie (which Sandra delightfully poked holes in during her acceptance speech by thanking the likes of Jackie Chan and Sylvester Stallone for teaching her everything she knows -- heehee!).

One more random thought... I can totally see Dallas Buyers Club winning it's semi-surprising Best Makeup nomination. Besides my own bias in thinking that the work in the film is really quite good, it struck me that every time McConaughey and (especially) Leto take the stage this season -- and they may do so again at SAG -- viewers will get to see just how different they look in real life. Plus it's the lone Best Picture nominee in a category where its only competition are two critically dismissed movies that are really not in the Academy's wheelhouse. How many of them saw Bad Grandpa or The Lone Ranger?

Anyway, check out all the Critics Choice winners (and my rambling commentaries) after the cut.

Review - 12 Years a Slave

Two men labor on sweltering a Louisiana afternoon, planing wood and hammering nails into an small unfinished building. To their own eyes, they are equal; sharing conversation and stories of their lives. But equal they are not; one a free white man working for wage, the other a black man in bondage, working simply because it is what he was sold to do. “Your story is amazing,” the free man says to the slave. “And in no good way.” That really is the most essential way to describe the incredible true story of Solomon Northrup, who was kidnapped from his home and family to be sold into slavery. Based on Northrup's 1853 memoir, Steve McQueen's 12 Years a Slave stares unblinking into arguably the darkest chapter of the United States' history, making a case for itself as the definitive American horror story.

In 1814, still 59 years before the Emancipation Proclamation, Solomon Northrup (Chiwetel Ejiofor) lives as an upstanding citizen in Saratoga, NY – an atypically progressive community for its time. A gifted violinist by trade and a decent man by nature, he is free and proud to walk the streets with his family, wearing his finest clothes, frequenting the finest shops, sheltered from common bigotry by his respected status. But this dream existence proves to be just that: a dream – one from which he awakens in shackles, alone and confused in a cold, dark cell. Daring to insist to his captors that he is free man and justice shall be done, he is flogged, menaced, and stripped of his identity along with his bloodied shirt. He is Solomon Northrup no more. He is a “Georgia runaway” by the name of Platt, or so he must pretend if he wishes to survive his waking nightmare.