With all the major precursors and most regional critics groups lining up behind a single performance, this year's Best Supporting Actress Oscar seems to be pretty open-and-shut. But up to a point this season, that wasn't the case.
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Harris (Naomie). Show all posts
Showing posts with label Harris (Naomie). Show all posts
Tuesday, February 14, 2017
One Category at a Time: Best Supporting Actress
Labels:
Davis (Viola),
Fences,
Harris (Naomie),
Hidden Figures,
Kidman,
Lion,
Manchester by the Sea,
Moonlight,
Oscar predictions,
Spencer,
supporting actress,
Williams (Michelle)
Tuesday, January 31, 2017
My Award Nominations: Supporting Actress
What a year for actresses in all roles, big or small. Even if you pulled Viola out and put her in an already crowded Best Actress race, you'd still have more than enough options to flesh out Best Supporting Actress. These are the five ladies I settled on, after much deliberation:
Labels:
20th Century Women,
Davis (Viola),
Fanning (Elle),
Fences,
Gerwig,
Harris (Naomie),
Moonlight,
My Awards,
Nyong'o,
Queen of Katwe,
supporting actress
Saturday, November 5, 2016
'Moonlight' Gains Foothold by Being Out the Gate (Relatively) Early
The biggest Supermoon in 70 years may have astronomers flocking to their telecscopes this weekend, but a far more luminous object has cinephiles flocking to their arthouses as Moonlight continue its expansion in its 3rd week of release.
Barry Jenkins' soulful sophomore feature is every bit as exquisite as you've read, but I can understand its cautious release strategy; A triptych character study about a young gay black man struggling with his singular and fluid sense of self is, admittedly, a tough sell. But those willing to believe that crises of identity are universal to all people -- as Jenkins clearly does ("In the moonlight, all boys look blue...") -- will find themselves hard pressed not to be moved by the poignant and painful discoveries of Chiron's childhood, youth and adulthood.
Barry Jenkins' soulful sophomore feature is every bit as exquisite as you've read, but I can understand its cautious release strategy; A triptych character study about a young gay black man struggling with his singular and fluid sense of self is, admittedly, a tough sell. But those willing to believe that crises of identity are universal to all people -- as Jenkins clearly does ("In the moonlight, all boys look blue...") -- will find themselves hard pressed not to be moved by the poignant and painful discoveries of Chiron's childhood, youth and adulthood.
Labels:
2016 Review,
Ali,
Harris (Naomie),
Hibbert,
Jenkins (Barry),
Laxton,
Moonlight,
Rhodes (Trevante),
Sanders (Ashton)
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