Oscar Postmortem Pt. 3: The show

Properly reviewing an Oscar ceremony can be tedious business, so I'm not gonna do it. Not properly, at least. The whole never quite amounts to the sum of its parts (although the Condon/Mark production from 2009 comes awfully close), so it's easiest just to look back and assess those parts at face value. Let's take a look at some moments that stood out (for me anyway) at the 86th Academy Awards

After last year's show hosted by Seth McFarlane came under such harsh critical fire, the pressure was on returning producers Craig Zadan and Neil Meron to atone. They made all the safest possible choices, and it started with the selection of Ellen Degeneres to return as host after her first kick at the can seven years ago.

Ellen assures viewers around the world, "We're fine. Thank you for your prayers" in regards to the rain.

Oscar Postmortem Pt. 1: The results

I ended the year with the same numbers I did last year: 19 out of 24 categories correct. That may be just slightly below the average being scored by most pundits this year (who are mostly 20 or higher), but I'm satisfied with it. Let's take a look at just a few of the winners (and losers, but we'll try not to be too mean about it!) after the cut:

One Category at a Time: Documentary

Last year's decision to send out screeners of the nominated docs and allow the entire Academy to vote on them made it a pretty easy category to predict. The dominance of Searching for Sugar Man with the guilds was further bolstered by the fact that it was clearly the nominee with the widest appeal, and would obviously do better with a larger voting pool. This year's race, however, is more up in the air. No one documentary has dominated industry precursors, and the presumed popular favourite might suffer from similarities to last year's winner.

My Award nominations: Original Song

As is the case every year, it's usually a bit of a struggle to find enough original songs that I feel significantly add to the films in which their used. But in the end, I always manage to cobble together five. Listen to my five favourite Original Songs of the year:

ACE Eddie winners

One of the craft categories I'm having the hardest time predicting this year is Best Film Editing. I may keep going back and forth on the issue right up until the eve of the Oscars (and possibly well into the show)! But last night's American Cinema Editors (ACE Eddie) Awards lent some clarity into what the experts themselves think, and the news is not at all surprising.

Christopher Rouse took home top honours in Best Edited Feature (Drama) for Captain Phillips, and may well take the Oscar as well on March 2nd. Even though the film is apparently not the strongest Best Picture contender, having missed out on Best Director and Actor nominations, sometimes the Academy does vote for the film with the most obvious editing. Remember The Girl With the Dragon Tattoo, Black Hawk Down, The Matrix, and The Bourne Ultimatum (which brought Rouse his first Oscar) managed to win without Best Picture nominations even. Still, one gets the feeling that a Gravity sweep could tilt this category in Alfonso Cuaron's favour.

Cuaron wins DGA; Momentum now in Gravity's favour

To the surprise of no one, Alfonso Cuaron took last night's top honour from the Directors Guild of America for his magnum space opus Gravity. After last weekend's stunning tie at the PGA Awards, this validates Gravity's position as the true frontrunner in the race for Best Picture, but am I being too hasty?

Many pundits are still predicting a split between Best Picture and Best Director, whereby Steve McQueen's revered 12 Years a Slave wins the former by virtue of its prestige clout and historical importance, but Cuaron wins the latter by virtue of the technical proficiency and degree of difficulty of his film.

Capsule reviews for the first day of winter

Up here in the icy GTA (which felt not unlike the glacial Arendelle of Frozen this past week) it's easy for me to forget that winter hasn't officially hit us until today. Perhaps that because I so closely associate winter with the Oscar season, which lasts much longer than a mere three months. For me, that means a glut of November/December prestige titles to catch up on; more than I can possibly write full reviews for. So here are some 1-2 sentence reactions to various films I've taken in so far. I may add more as I see them.