The agonizing wait for Oscar movies to finally show themselves towards year's end is annual gripe of mine. While some years aren't as bad as others, 2016 has thus far proven to be exceptionally back-ended, with nearly every predicted Best Picture contender waiting until the last two months of the year (three months if you include the inevitable January roll-outs) to debut to the public. Only next weekend's limited release of Barry Jenkins' festival darling Moonlight provides us with the faintest hope of a Best Pic nominee that dares to drop before November.
How did it get to be this bad? Looking back over the young expanded Best Picture era, every slate has contained at least two or three films that bowed in October or earlier -- heck, some from the summer and spring -- that would have been absolutely pulverized by the competition had they waited for the winter glut. I fear that fate may be lurking for some of this year's late-breaking gems, whatever they may be. The season's barely underway and already I can tell this is going to be one of my biggest pet peeves.
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label OscarsSoWhite. Show all posts
Showing posts with label OscarsSoWhite. Show all posts
Sunday, October 16, 2016
Will the Best Pic Contenders Please Stand Up?
Labels:
13th,
2016 Review,
DuVernay,
Nair,
Nalwanga,
Nyong'o,
OscarsSoWhite,
Oyelowo,
Parker (Nate),
Queen of Katwe,
The Birth of a Nation
Wednesday, March 9, 2016
Top Five Pet Peeves of the 2015-16 Oscar Season
The Oscar derby has been dead and buried for over a week now, but as usual I still have a few nuggets to get off my chest before calling it a year. Read on, if you dare, and behold my final purge of negativity, after which I can say "Okay, I'm over it" (hopefully).
5. The Big Short's Adapted Screenplay sweep
5. The Big Short's Adapted Screenplay sweep
I know I've been harping on Adam McKay and Charles Randolph's well-meaning housing crisis comedy for months, but I just don't see what made this such a unanimous choice for writing awards. Especially when the competition hasn't been this stacked in years. I mean, good God: Carol, Room, Brooklyn, The Martian, inexplicable snubbee Steve Jobs, and even the long shots from 45 Years to Mr. Holmes write circles around The Big Short's misguided gimmickry, which gets by on sounding a lot smarter than it truly is. The lone bone tossed to Aaron Sorkin by the Golden Globes is going to look very good ten years from now
(Heck, it looked good the moment it happened). At least other season sweepers like Inside Out and Son of Saul can be justified on quality, but I'm not drinking the Koolaid on this one.
Labels:
adapted screenplay,
Gervais,
original song,
OscarsSoWhite,
supporting actor,
supporting actress,
The Big Short,
Top Ten
Friday, February 27, 2015
Top Five Pet Peeves of the 2014-15 Oscar Season
The Oscar season is always draining –
emotionally and
physically, given the length of the broadcast – but there's still
one last drop of blogging to be drained from my fingertips before
officially calling it a year: My annual rundown of personal highs and
lows from the season that was. I find it the perfect way to purge any
lingering feelings before psyching myself up for the coming cinematic
calendar, which is sure to have its own slate of travesties and
triumphs.
I'll be posting my top ten in the form
of two top fives. We'll get the ball rolling with the five things
that bugged me most during the 2014-15 film awards circuit:
Labels:
animated feature,
Big Hero 6,
oscar telecast,
OscarsSoWhite,
Selma,
The Imitation Game,
Top Ten,
Weinstein,
Zadan & Meron
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