Best Performance by a Grunter in a Leading Role
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Trumbo. Show all posts
Showing posts with label Trumbo. Show all posts
Wednesday, February 3, 2016
One Category at a Time: Leading Actor
After several years of stacked competition, we find ourselves in the rare situation of Best Actor being the most lackluster of the four acting categories. All the better for the current frontrunner, who's been hungering for an Oscar for some time, and now has virtually no competition to bar him from claiming it.
Labels:
actor,
Cranston,
Damon (Matt),
DiCaprio,
Fassbender,
Oscar predictions,
Redmayne,
Steve Jobs,
The Danish Girl,
The Martian,
The Revenant,
Trumbo
Wednesday, December 23, 2015
Last quarter 'true story' Oscar bait underwhelms
I can be a tough critic to please sometimes, but I get especially grinchy during the holiday crunch when awards season group-think forces me to seek out prestige-courting biopics and true-to-life narratives for which I'd gladly have waited. In the ten days since I first set eyes upon Todd Hayne's exquisite Carol, I've struck out thrice with other Globe/BFCA heavies Trumbo, The Danish Girl, and The Big Short; All of them capitalizing on year-end kudos, whether or not they should.
Trumbo is especially unfortunate. True Hollywood stories are of inherent interest to me (and many a cinephile, I should imagine), so it really says something when I despair at how unengaged I was by Jay Roach's shapeless biopic of the legendary screenwriter, who was infamously blackballed by McCarthy-era witch hunt politics. The man himself (likely Oscar nominee Bryan Cranston) would have shuddered at the screenplay's lack of structure and payoff. The film's strong SAG haul, particularly the Best Ensemble nomination, is baffling. Sure, there are a handful of droll impersonations in there -- David James Elliott's John Wayne and Dean O'Gorman's Kirk Douglas are aces -- but everyone is play acting instead of screen acting. Yes, there is a difference. The lone exceptions are Elle Fanning and Diane Lane as the key female figures in Trumbo's life, his daughter Niki and his wife Cleo.
Trumbo is especially unfortunate. True Hollywood stories are of inherent interest to me (and many a cinephile, I should imagine), so it really says something when I despair at how unengaged I was by Jay Roach's shapeless biopic of the legendary screenwriter, who was infamously blackballed by McCarthy-era witch hunt politics. The man himself (likely Oscar nominee Bryan Cranston) would have shuddered at the screenplay's lack of structure and payoff. The film's strong SAG haul, particularly the Best Ensemble nomination, is baffling. Sure, there are a handful of droll impersonations in there -- David James Elliott's John Wayne and Dean O'Gorman's Kirk Douglas are aces -- but everyone is play acting instead of screen acting. Yes, there is a difference. The lone exceptions are Elle Fanning and Diane Lane as the key female figures in Trumbo's life, his daughter Niki and his wife Cleo.
Labels:
2015 Review,
Banks,
Cranston,
Cusack,
Dano,
Giamatti,
Hooper,
Love & Mercy,
McKay,
Pohlad,
Redmayne,
Roach (Jay),
The Big Short,
The Danish Girl,
Trumbo,
Vikander
Wednesday, December 9, 2015
SAG nominations scattered amongst the pretenders
The first big guild announcement of the season dropped this morning, but when all is said and done, it may not have been such an impactful announcement.
SAG's attention was splintered all over the place, and seems especially out of sync with pundit logic this season. Aggressively campaigned films like Trumbo and The Big Short performed well, but could both conceivably be shut out the Oscars. Some categories could even have as little as an 0/5 overlap with the eventual Oscar slate (especially that Supporting Actor category). For the time being, it keeps any frontrunners a happy mystery. Check out the nominees and my brief knee-jerks after the jump.
SAG's attention was splintered all over the place, and seems especially out of sync with pundit logic this season. Aggressively campaigned films like Trumbo and The Big Short performed well, but could both conceivably be shut out the Oscars. Some categories could even have as little as an 0/5 overlap with the eventual Oscar slate (especially that Supporting Actor category). For the time being, it keeps any frontrunners a happy mystery. Check out the nominees and my brief knee-jerks after the jump.
Is nomination leader Trumbo really an Oscar threat? Perhaps for Crantson...
Labels:
actor,
actress,
ensemble,
Mad Max,
SAG,
Silverman,
Spotlight,
supporting actor,
supporting actress,
The Big Short,
Tremblay,
Trumbo
Friday, April 24, 2015
Early Oscar Predictions: Best Picture & Director
If you've been tracking the various
films I've been predicting in certain categories, then it should go
without saying what I'm anticipating to be Best Pictures players.
I'll go the limit and pick ten, even though we all know that'll never
happen.
Labels:
Bridge of Spies,
Brooklyn,
Carol,
director,
Joy,
Oscar predictions,
picture,
Steve Jobs,
The Hateful Eight,
The Revenant,
The Sea of Trees,
The Walk,
Trumbo
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