This field wasn't really as big a yawn this year as the Oscar lineup makes it seem... You just have to look for exceptional performances in the right places, and there were surely more than five that I consider worthy. Check out my Best Actor picks after the cut.
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Tremblay. Show all posts
Showing posts with label Tremblay. Show all posts
Sunday, February 7, 2016
My Award Nominations: Actor
Labels:
actor,
Creed,
Dano,
Fassbender,
Hardy,
Jordan (Michael B.),
Legend,
Love & Mercy,
My Awards,
Room,
Steve Jobs,
Tremblay
Wednesday, January 6, 2016
Last minute FYCs, and thoughts on H8teful, Saul
Oscar nomination balloting closes this Friday, and even in a season as scattered as this, it feels like some highly deserving contenders are still getting the short end of the stick. Dig deep, Academy! Lack of consensus is only exciting if you get imaginative instead of voting in default mode. You could do a lot worse than giving this handful of long shots a good hard look:
Creed for Best Picture
Creed for Best Picture
I was actually saving this FYC for Sicario, but after a strong guild showing thus far, I figure I should send my wishes to a more needy but equally deserving contender. This is one of the most satisfying mainstream entertainments of the year, and for it to have been overlooked by the Globes, BFCA, and PGA (where I had harboured hope for it) is disappointing to say the least. But it's not too late for the Academy to do right!
Labels:
Baker (Sean),
Carol,
Creed,
Ex Machina,
FYC,
Inside Out,
Nemes,
Oscars,
Paulson,
Room,
Sicario,
Son of Saul,
Tangerine,
Tarantino,
The Hateful Eight,
Tremblay,
Villeneuve
Wednesday, December 9, 2015
SAG nominations scattered amongst the pretenders
The first big guild announcement of the season dropped this morning, but when all is said and done, it may not have been such an impactful announcement.
SAG's attention was splintered all over the place, and seems especially out of sync with pundit logic this season. Aggressively campaigned films like Trumbo and The Big Short performed well, but could both conceivably be shut out the Oscars. Some categories could even have as little as an 0/5 overlap with the eventual Oscar slate (especially that Supporting Actor category). For the time being, it keeps any frontrunners a happy mystery. Check out the nominees and my brief knee-jerks after the jump.
SAG's attention was splintered all over the place, and seems especially out of sync with pundit logic this season. Aggressively campaigned films like Trumbo and The Big Short performed well, but could both conceivably be shut out the Oscars. Some categories could even have as little as an 0/5 overlap with the eventual Oscar slate (especially that Supporting Actor category). For the time being, it keeps any frontrunners a happy mystery. Check out the nominees and my brief knee-jerks after the jump.
Is nomination leader Trumbo really an Oscar threat? Perhaps for Crantson...
Labels:
actor,
actress,
ensemble,
Mad Max,
SAG,
Silverman,
Spotlight,
supporting actor,
supporting actress,
The Big Short,
Tremblay,
Trumbo
Saturday, November 7, 2015
First Week of November Gives Award Watchers Some Breathing Room
The first week of November was like being in the eye of the awards movie hurricane. With no prestige courters daring to go wide on a weekend when they'd be competing with Halloween parties and horror movie marathons, awards watchers had a chance to catch up with any October mainstays they had missed, but this Oscar blogger struck out in search of a title that's still platforming.
After winning the coveted People's Choice Awards at the Toronto International Film Festival, Lenny Abrahamson's Room instantly shot onto pundits' radar as a legit Best Picture contender. Now finally playing on a single commercial screen in Toronto (the city where it was shot in its entirety), I eagerly ventured downtown last weekend to see what all the fuss was about.
After winning the coveted People's Choice Awards at the Toronto International Film Festival, Lenny Abrahamson's Room instantly shot onto pundits' radar as a legit Best Picture contender. Now finally playing on a single commercial screen in Toronto (the city where it was shot in its entirety), I eagerly ventured downtown last weekend to see what all the fuss was about.
Labels:
2015 Review,
Abrahamson,
Amy (doc),
Donoghue,
Kapadia,
Larson (Brie),
Room,
Tremblay
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