Well, the 85th Annual Academy Awards came and went, putting a cap on what has been one of the most unusual awards seasons in recent memory. To no one's surprise, Ben Affleck's Argo was crowned the Best Picture of 2012, also taking expected prizes for Chris Terrio's screenplay and William Goldenberg's editing.
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Carter (Rick). Show all posts
Showing posts with label Carter (Rick). Show all posts
Monday, February 25, 2013
Oscar Postmortem Pt. 1: Overview
Labels:
Affleck (Ben),
Argo,
Carter (Rick),
Day-Lewis,
Goldenberg,
Lawrence (JLaw),
Lee (Ang),
Macfarlane,
musicals,
oscar telecast,
Oscars,
Streisand,
Tarantino,
Terrio,
Waltz,
Zadan & Meron
Saturday, February 9, 2013
One Category at a Time: Production Design
Production
design is one of those fields in which the Academy almost always
votes for “most” over “best”, even if it's at the expense of
a film they clearly like more. The sets need to draw attention to
themselves in order to take the gold here, and for my money, there's
only one nominee in this group that looks like a winner, although
it's far from a slam dunk:
Labels:
Anna Karenina,
Carter (Rick),
Greenwood (Sarah),
Gropman,
Hennah,
Les Miserables,
Life of Pi,
Lincoln,
Oscar predictions,
production design,
Stewart (Eve),
The Hobbit
Saturday, November 24, 2012
Review - Lincoln
In a fashion uncharacteristic of his
famously dazzling aesthetic, Steven Spielberg has produced one of the
finest films of his career in Lincoln; a densely worded but
deftly handled political drama that illuminates the man behind the
myth as he fought to enact the 13th amendment.
In the waning days the American Civil
War, the two-term president (Daniel Day-Lewis) stares down the horns
of a dilemma as put to him by his Secretary of State William Seward
(David Strathairn): Either he can entertain negotiations from
Confederate delegates to bring about an end to the conflict now in
its fourth year, or he can push for the abolition of slavery,
dangling it as a carrot before the divided House of Representatives
as a quicker alternative to peace. Opting for the latter, “Honest”
Abe is forced into some decidedly manipulative politicking. As
behind-the-scenes history plays out, we see how freedom for the
slaves was not so much won on the floors of Congress as it was
craftily massaged into being from the smoky drawing rooms of
Washington.
Labels:
2012 Review,
Carter (Rick),
Day-Lewis,
Field,
Gordon-Levitt (JGL),
Hawkes,
Jones (Tommy Lee),
Kaminski,
Kushner,
Lincoln,
Spader,
Spielberg,
Strathairn
Tuesday, February 7, 2012
One Category at a Time: Art Direction
There are a number of categories this year where I have reasonable doubts about my predicted winner - too many categories. This is not one of them. There is a single obvious choice on which any sane Oscar-watcher should bet the bank, but it's only fair to give the other nominees their congrats:
Labels:
art direction,
Bennett (Lawrence),
Carter (Rick),
Craig (Stuart),
Ferretti,
Harry Potter,
Hugo,
Midnight in Paris,
Oscar predictions,
production design,
Seibel,
The Artist,
Tinker Tailor Soldier Spy,
War Horse
Friday, April 15, 2011
One Category at a Time: Best Art Direction
There are lots of past Oscar winners and nominees in the mix this year. Among them are Martin Scorsese's frequent production designer Dante Ferreti and set dresser Franscesca Lo Shiavo (winners for The Aviator and Sweeney Todd). With Scorsese's Hugo Cabret, they'll recreate 1930's Paris. With Rob Richardson behind the camera, you know the sets are gonna get the best possible presentation.
Will this finally be the year the Academy awards Stuart Craig for the Harry Potter series? Having been nominated for three of the seven films thus far, including last year's installment, many are suggesting that AMPAS may want to tip their hat to the franchise with a win, and this upcoming year is their last chance to do it, and no category would be more appropriate than Art Direction.
Jack Fisk and Jim Erickson (nominated for There Will Be Blood) are heading the production design and set decoration of Water for Elephants, based on the bestseller set on a Depression era traveling circus. The period detail of 1930s America and the sparkly glitz of the Greatest Show on Earth might prove a winning combination with the art directors branch.
Finally, Mark Ricker and Rena DeAngelo will produce the look and feel of 1960s small-town Mississippi in The Help. DeAngelo's Emmy-winning work on Mad Men proves she has the detail of the period down pat, and if it ends up a popular film, design nominations could fall into place.
War films don't intuitively come to mind when one thinks about art direction, but it requires just as much work and creativity. Rick Carter (who won two years ago for Avatar) is designing the sets for Steven Spielberg's War Horse. If the movie turns out to be a big hit with the Academy, a nomination here would not surprise me.
Predicted five:
Harry Potter and the Deathly Hallows: Part 2
The Help
Hugo Cabret
War Horse
Water for Elephants
Also consider: Albert Nobbs, Captain America, The Conspirator, A Dangerous Method, Jane Eyre, Pirates 4, Sherlock Holmes 2, The Tree of Life.
Will this finally be the year the Academy awards Stuart Craig for the Harry Potter series? Having been nominated for three of the seven films thus far, including last year's installment, many are suggesting that AMPAS may want to tip their hat to the franchise with a win, and this upcoming year is their last chance to do it, and no category would be more appropriate than Art Direction.
Jack Fisk and Jim Erickson (nominated for There Will Be Blood) are heading the production design and set decoration of Water for Elephants, based on the bestseller set on a Depression era traveling circus. The period detail of 1930s America and the sparkly glitz of the Greatest Show on Earth might prove a winning combination with the art directors branch.
Finally, Mark Ricker and Rena DeAngelo will produce the look and feel of 1960s small-town Mississippi in The Help. DeAngelo's Emmy-winning work on Mad Men proves she has the detail of the period down pat, and if it ends up a popular film, design nominations could fall into place.
War films don't intuitively come to mind when one thinks about art direction, but it requires just as much work and creativity. Rick Carter (who won two years ago for Avatar) is designing the sets for Steven Spielberg's War Horse. If the movie turns out to be a big hit with the Academy, a nomination here would not surprise me.
Predicted five:
Harry Potter and the Deathly Hallows: Part 2
The Help
Hugo Cabret
War Horse
Water for Elephants
Also consider: Albert Nobbs, Captain America, The Conspirator, A Dangerous Method, Jane Eyre, Pirates 4, Sherlock Holmes 2, The Tree of Life.
Labels:
art direction,
Carter (Rick),
Craig (Stuart),
Ferretti,
Fisk,
Harry Potter,
Hugo,
Oscar predictions,
production design,
Ricker,
The Help,
War Horse,
Water for Elephants
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