Ballots have been in for two days now, and there's nothing left to do but wait for the final results to be unveiled on Sunday night. Most pundits have settled on their predictions after weeks of deliberation, but for me, these dwindling days are often when my initially settled predictions suddenly become unsettled! There are some huge question marks that'll have me waffling on this category or that from now until their envelopes are opened. Here are some lingering uncertainties I have heading into the big show, accompanied by a small wishlist that would be oh so satisfying to see happen:
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Saving Mr. Banks. Show all posts
Showing posts with label Saving Mr. Banks. Show all posts
Thursday, February 27, 2014
Last minute question marks and wishlist
Labels:
12 Years a Slave,
All Is Lost,
American Hustle,
Captain Phillips,
film editing,
Gravity,
Helium,
live action short,
original score,
Philomena,
picture,
Saving Mr. Banks,
sound editing,
The Voorman Problem
Sunday, February 9, 2014
One Category at a Time: Original Score
There are all sorts of theories on how the Academy votes for Best Original Score, arguably the most subjective of the craft categories. Appraisal of music is so prone to personal tastes that just when you think you've got the Academy pegged, they go and do something unpredictably awful (like award Gustavo Santaolalla a second consecutive Oscar for a score that makes liberal use of pre-existing compositions) or go and do something unpredictably cool (like give Trent Reznor an Oscar for an extremely atypical electronic soundtrack).
Labels:
Arcade Fire,
Desplat,
Gravity,
Her,
Newman (Thomas),
original score,
Oscar predictions,
Philomena,
Price (Steven),
Saving Mr. Banks,
The Book Thief,
Williams (John)
Monday, January 6, 2014
Review - Saving Mr. Banks
Saving Mr. Banks takes us behind
the development of the Disneyfication of the Disneyfication of Mary
Poppins (how meta!), the movie rights to which author P.L.
Travers was notoriously resistant to sign over.
Emma Thompson plays Travers ('Mrs.'
Travers, as she'll quickly tell you she prefers to be addressed), at
the end of her rope and in need of money, urged by her agent to let
Walt Disney Studios turn her beloved childrens book Mary Poppins
into a feature film. She is loathe to let her precious creation
become trivialized by the kid-friendly brand, but reluctantly agrees
to travel to L.A. to work with Disney's writers and tunesmiths. Among
her many insistences are that the film not be a musical, not star
Dick Van Dyke, and contain no animation nor the color red. As history
tells us, Disney reneged – or at least changed Travers' mind – on
those stipulations.
Labels:
2013 Review,
Disney,
Farrell (Colin),
Hanks,
Marcel & Smith,
Mary Poppins,
Novak (BJ),
Saving Mr. Banks,
Schwartzman,
Thompson (Emma),
Whitford
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