Auld Acquaintances

The eve of the New Year is inevitably a time to cherish old friends, and for the last two weeks movie audiences have been taking that cue by turning out in droves for Star Wars: The Force Awakens. For fans of the original trilogy, it plays like a long awaited reunion with cherished characters from the past, whilst introducing a new roster of charismatic heroes for the younger generation.

The whole thing unspools more or less as an affectionate retread of the 1977 mega-hit that spawned the series, with enough slight variations to satiate the geeks. And if there are plenty of earnest nits to fondly pick (and there are), at least they never feel outright dumb or insulting, which can't be said of another franchise rehash which earned serious bank this year.

Review - Star Trek Into Darkness

After an auspicious blastoff in 2009, J.J. Abrams keeps the success of his Star Trek reboot burning strong with Star Trek Into Darkness, a slick summer actioner that takes off at warp speed and rarely lets up.

All the cast members from the original are back in fine form (including Abrams' nettlesome blue lens flares): Chris Pine as Kirk, Zachary Quinto as Spock, Zoe Saldana as Uhura, Simon Pegg as Scotty, Karl Urban as 'Bones' McCoy, John Cho as Sulu, Anton Yelchin as Chekov, and Bruce Greenwood as Cpt. Pike. All of them excelled in 2009's origin story, but with their characters now firmly established, the writing team of Damon Lindelof, Roberto Orci, and Alex Kurtzman devote more time to developing the spiky but loving Kirk-Spock dynamic that is very much the heart of the franchise. Personifying the conflicting philosophies between logic and instinct, these two foils make this one of the more thematically compelling popcorn flicks you're likely to see this summer, at least whenever it takes the time to stop and breathe.

Review - Super 8

Art imitates art in Super 8, J.J. Abrams love letter to Steven Spielberg, but just like a carbon copy of a piece of paper, the imitation is of noticeably lower quality.

Joe Lamb, played with sincere effort by newcomer Joel Courtney, is mourning the tragic loss of his mother at picture's beginning, immediately establishing him as the sort of emotionally malnourished central character we often saw portrayed in Spielberg's vintage works. He spends his summer days helping a group a friends make an amateur zombie movie. The band of bike-riding filmmakers include a bossy director, an easily nauseated leading man, a pyromaniacal effects artist, and a new leading lady (the wonderful Elle Fanning) whose puppy love affair with sympathetic Joe ratchets the cute factor up to eleven. While filming a key scene by the railroad station, they witness the train wreck (so spectacular it screams “Hollywood fakery”) that unleashes a mysteriously threatening creature upon their unsuspecting middle American burg. It isn't long before Joe's father, the local deputy (Kyle Chandler), begins to catch wind of strange goings-on from paranoid townsfolk.

One Category at a Time: Best Picture (part 2)

As attested by those who attended it this past February, the Sundance Film Festival apparently did not offer up much in the way of Oscar fodder this year. But one that did turn some heads, especially for its breakout star Felicity Jones, is Like Crazy, a romantic drama about a British woman separated from her American lover upon expiration of her student visa. You may as well consider this prediction a placeholder for whatever small independent film happens to win the Academy's favour this year. There's always at least one (probably two, with ten slots open).

This past year's Oscar winner for Best Adapted Screenplay, Aaron Sorkin, may be back in the race sooner than we'd expect for Moneyball. He and Steve Zaillian, another past winner of Adapted Screenplay, have fashioned a script from the non-fiction book by Michael Lewis about how Oakland Athletic's general manager Billy Beane assembled a competitive team on a shoestring budget by employing analytical statistic methods. I'll admit it doesn't exactly sound rivetting, but neither did the origin story of Facebook, and we all saw how well Sorkin's take on that turned out. The film will be directed by Bennett Miller (nominated five years ago for Capote) and star Brad Pitt.

Let's not forget the reason the Best Picture field was expanded to ten nominees in the first place; to make room for critically-respected blockbusters. That said, it's quite conceivable there might not be any films that fit the bill this year, given how many sequels and superhero movies there are, but one original premise that already has the Internet abuzz with a titillating trailer is Super 8, from J.J. Abrams, whose Star Trek only just missed out on a Best Picture nomination last year. I'm not at all confident in this prediction. It'll need positive reviews to even stand a chance.

I've been predicting Terrence Malick's The Tree of Life for three consecutive years now, only for it to continue to linger in distribution limbo. Finally, this Spring, at long last, it will see the light of day, and I must say I'm excited. But will expectations be too high? Cinephiles have been waiting a long time to see this film. Can it survive after literally years of extended hype? And even so, is it the Academy's type of movie? I'm hoping for the best.

Steven Spielberg hasn't been a Best Picture nominee since Letter from Iwo Jima, but he could be back next year with another Academy friendly movie called War Horse, which tells the story of a young man who follows his beloved horse into World War I after it is sold to the cavalry. Nearly all the same department heads from Saving Private Ryan have joined up with Spielberg on this one, giving it massive across-the-board potential, and that sentimental storyline can only help matters.

Take these ten predictions lightly. It's just a shot in the dark. If even four of these make it into the Big Ten, I'll consider myself successful.

Predicted ten:
A Dangerous Method
The Descendants
The Help
The Ides of March
The Iron Lady
Like Crazy
Moneyball
Super 8
The Tree of Life
War Horse

Also consider: Albert Nobbs, The Beaver, The Conspirator, Coriolanus, The Girl with the Dragon Tattoo, Jane Eyre, One Day, Water for Elephants, We Bought a Zoo, We Need to Talk About Kevin, The Whistleblower, Winnie, Wuthering Heights, Young Adult.