So October is a wrap! As I was cobbling together my last-minute Doof Warrior costume in time for last night's frivolities, I figured now was the best time to start taking note of how the 2015-16 Oscar race is shaping up.
I realize that for many, the September festival circuit is the official kick-off of awards season. But for those of us without press credentials or travel time to burn, October is when we actually get to see the buzzy titles we've been reading about for a month or more. And this October was chalk full of them.
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Scott (Ridley). Show all posts
Showing posts with label Scott (Ridley). Show all posts
Sunday, November 1, 2015
October Recap
Labels:
2015 Review,
Boyle (Danny),
Bridge of Spies,
Crimson Peak,
Del Toro (Guillermo),
Gervais,
Rock (Chris),
Scott (Ridley),
Sorkin,
Spielberg,
Steve Jobs,
The Martian,
The Walk,
Zemeckis
Tuesday, June 12, 2012
Review - Prometheus
Off to probe the farthest corner of the
galaxy for the origins of humanity flies the spacecraft Prometheus in
Ridley Scott's ambitious prequel to the Alien franchise he
himself spawned 33 years ago. That original classic is revered for
being both a grade-A creature feature and a legit science fiction
with strong thematic undertones, but while Prometheus reaches
for the same proverbial stars (much like the ancient pictograms that
lead our inquisitive scientists on their voyage), its philosophical
quandaries and narrative ambiguities are as vexing as they are
thought-provoking.
Noomi Rapace (sans dragon tattoo)
headlines as Dr. Elizabeth Shaw, who theorizes that the
aforementioned pictograms – discovered in the art of different
civilizations the world over – are evidence that humans were
created by something beyond our world. “Engineers” is the term
she and her husband (Logan Marshall-Green) coin for our hypothetical creators, and
their thesis is enough to convince optimistically superstitious
trillionaire Peter Weyland to finance an interplanetary mission to
literally meet our maker. Anyone who's seen even one of the previous Alien films knows that going into space in search of answers is
seldom a good idea, and indeed, this entry proceeds to follow many of
the same beats as its predecessors. We are introduced to a mostly
expendable crew of characters, including one synthetic personality,
the robotic David, played with calibrated nuance by Michael
Fassbender, the clear standout of the cast. Naturally, there's enough
mistrust and hidden agendas to pique our suspicion until the bad
stuff starts happening to these curious cats.
Labels:
2012 Review,
Aliens,
Fassbender,
Lindelof,
Max (Arthur),
production design,
Prometheus,
Rapace,
Scott (Ridley),
Spaihts,
Stammers,
visual effects
Sunday, July 3, 2011
Sunday Top Ten - People who need an Oscar... IMMEDIATELY
It's been great to take a nice long break from any Oscar-related discussion. It's mostly a source of negative energy, but I think I've had a sufficient layoff from my awards bitterness to survive an Oscary list. I'll try to put together an Oscar list with a more positive theme one of these days, but this week I'm drawing attention to those poor individuals who, for no good reason, have been unfairly slighted by the Academy a few too many times.
It shouldn't bother me as much as it does. After all, the brilliant work of these people speaks for itself. A rational person shouldn't need the Academy to validate one's admiration of these artists by bestowing on them the title of Academy-Award-winner. But the Oscars are hardly rational themselves, and they certainly bring out the irrational in me. Here, in my irrational opinion, are the ten (or more) people, still working at the top of their game, who need an Oscar IMMEDIATELY.
It shouldn't bother me as much as it does. After all, the brilliant work of these people speaks for itself. A rational person shouldn't need the Academy to validate one's admiration of these artists by bestowing on them the title of Academy-Award-winner. But the Oscars are hardly rational themselves, and they certainly bring out the irrational in me. Here, in my irrational opinion, are the ten (or more) people, still working at the top of their game, who need an Oscar IMMEDIATELY.
Labels:
Close (Glenn),
Deakins,
Harris (Ed),
Howard (James Newton),
Leigh,
Moore (Julianne),
Newman (Thomas),
O'Connell (Kevin),
Oscars,
Russell (Greg P),
Scott (Ridley),
Top Ten,
Weir
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