Noomi Rapace (sans dragon tattoo)
headlines as Dr. Elizabeth Shaw, who theorizes that the
aforementioned pictograms – discovered in the art of different
civilizations the world over – are evidence that humans were
created by something beyond our world. “Engineers” is the term
she and her husband (Logan Marshall-Green) coin for our hypothetical creators, and
their thesis is enough to convince optimistically superstitious
trillionaire Peter Weyland to finance an interplanetary mission to
literally meet our maker. Anyone who's seen even one of the previous Alien films knows that going into space in search of answers is
seldom a good idea, and indeed, this entry proceeds to follow many of
the same beats as its predecessors. We are introduced to a mostly
expendable crew of characters, including one synthetic personality,
the robotic David, played with calibrated nuance by Michael
Fassbender, the clear standout of the cast. Naturally, there's enough
mistrust and hidden agendas to pique our suspicion until the bad
stuff starts happening to these curious cats.
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Spaihts. Show all posts
Showing posts with label Spaihts. Show all posts
Tuesday, June 12, 2012
Review - Prometheus
Off to probe the farthest corner of the
galaxy for the origins of humanity flies the spacecraft Prometheus in
Ridley Scott's ambitious prequel to the Alien franchise he
himself spawned 33 years ago. That original classic is revered for
being both a grade-A creature feature and a legit science fiction
with strong thematic undertones, but while Prometheus reaches
for the same proverbial stars (much like the ancient pictograms that
lead our inquisitive scientists on their voyage), its philosophical
quandaries and narrative ambiguities are as vexing as they are
thought-provoking.
Labels:
2012 Review,
Aliens,
Fassbender,
Lindelof,
Max (Arthur),
production design,
Prometheus,
Rapace,
Scott (Ridley),
Spaihts,
Stammers,
visual effects
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