Showing posts with label The Shallows. Show all posts
Showing posts with label The Shallows. Show all posts

Wednesday, February 22, 2017

Top Twenty Movies of 2016, Part 1 (#20-11)

It's always interesting for me to see how the overall quality of the year in film affects my selection process for annual "Best of" lists. Strong years can make it easy to decide on a top twenty, but makes ranking them a chore. Years such as this, on the other hand, feel pretty settled in terms of what's the best (don't expect me to deviate too much from the median when it comes to my top two), but then fleshing out the rest of the list is more taxing.
For me, my #14-9 slots were constantly shifting as the year progressed, and will likely continue to do so long after this publication. #20-15 feel almost arbitrary, as all of them are largely flawed efforts that wouldn't even figure into my consideration during a stronger year, but boast specific assets and memorable hooks that help them to stand out.

I don't mean to cast shade here. The point of articles like this are to celebrate, not to denigrate. And anyone who claims that there aren't at least 20 movies worth celebrating any given year clearly doesn't watch enough movies.

First, a few shout-outs to titles that just missed the cut:
-To The Lobster for the originality of its deadpan dystopia
-To Moana for its grand musicality and gorgeous Pacific scenery
-To Queen of Katwe for its earthy slice of life wrapped in a sports movie
-To The Red Turtle for its painterly magic realism
-To The Salesman for its gripping moral complexity
-To Tanna for its vibrant cultural snapshot of native Melanesia
-To Toni Erdmann for its droll father-daughter absurdism
-To Tower for its powerful alchemy of testimonial, reenactment and animated abstraction

A now, the back half of my Top Twenty[-one] Movies of 2016 [UPDATED]:

Thursday, January 26, 2017

My Award Nominations: Sound Editing

Truth be told, there was only one film I saw (that is, heard) this year whose sound design is so embedded into the identity of the movie that it instantly became my defacto winner. That said, there were still plenty of other impressive aural accomplishments, so for now I'll let you guess which of these five Best Sound Editing showcases will take my esteemed prize:

Friday, September 2, 2016

Is It That Time Already?

Has it really been four months since I've posted something? Yikes. Time to scrape the lime deposits off my knuckles and start typing again.

You must excuse my silence this past summer. For once it had nothing to do with professional obligations (those will take their toll soon enough), and everything to with having little to say in regards to the summer movie scene.

Let's face it: This was a lousy summer at the movies.