The age-old rule that Best Picture nominees never lose Best Visual Effects to movies not nominated for the Academy's top prize was bucked last year when three effects-driven Best Picture nominees (plus Star Wars) apparently split the vote and allowed the subtle supporting CG of Ex Machina to sneak up the middle for the biggest shocker this category has ever seen. At least that's one theory.
The point is, I don't think I'll be able to trust my own predictions in this category ever again. Even with a stone cold frontrunner in this category, I suppose anything could happen, but let's start by assuming conventional wisdom prevails...
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label The Jungle Book. Show all posts
Showing posts with label The Jungle Book. Show all posts
Monday, February 20, 2017
One Category at a Time: Best Visual Effects
Labels:
Deepwater Horizon,
Doctor Strange,
Kubo and the Two Strings,
Oscar predictions,
Rogue One,
The Jungle Book,
visual effects
Wednesday, February 8, 2017
VES Loves 'The Jungle Book'
To no one's surprise, Disney's "live-action" Jungle Book remake was the toast of the Visual Effects Society's annual awards, taking the group's top prize for Effects in a Photoreal Feature in addition to four other awards.
Oscar nominees Deepwater Horizon and Kubo and the Two Strings won their respective categories for Supporting Effects and Effects in an Animated Feature. Oddly, Kubo didn't win any of the other feature animation categories, which is unusual for a group that has rarely spread the wealth like this in the past.
Rogue One, which had been nominated in six categories (more than any other project), was shut out. Ouch.
Feature film winners after the cut.
Oscar nominees Deepwater Horizon and Kubo and the Two Strings won their respective categories for Supporting Effects and Effects in an Animated Feature. Oddly, Kubo didn't win any of the other feature animation categories, which is unusual for a group that has rarely spread the wealth like this in the past.
Rogue One, which had been nominated in six categories (more than any other project), was shut out. Ouch.
Feature film winners after the cut.
Monday, February 6, 2017
My Award Nominations: Visual Effects
Tomorrow the VES will bestow a bunch of hardware on The Jungle Book (or so I presume), but there was a ton of other impressive work done out there worthy of Best Visual Effects consideration. And I have to hand it to the Academy's vfx branch too: This year, they got it exactly right.
Here are my top five:
Here are my top five:
Labels:
Ceretti,
Corbould,
Dalton,
Deepwater Horizon,
Doctor Strange,
Emerson,
Hammock,
Hickel,
Knoll,
Kubo and the Two Strings,
Legato,
My Awards,
Rogue One,
The Jungle Book,
visual effects
Friday, September 2, 2016
Is It That Time Already?
Has it really been four months since
I've posted something? Yikes. Time to scrape the lime deposits off my
knuckles and start typing again.
You must excuse my silence this past
summer. For once it had nothing to do with professional obligations
(those will take their toll soon enough), and everything to with
having little to say in regards to the summer movie scene.
Let's face it: This was a lousy summer
at the movies.
Labels:
2016 Review,
Captain America,
Florence Foster Jenkins,
Ghostbusters,
Kubo and the Two Strings,
Pete's Dragon,
Star Trek Beyond,
Suicide Squad,
The Jungle Book,
The Shallows
Sunday, November 24, 2013
Sunday Top Ten - Animated Disney films
It feels like it's been ages since I
last cobbled together a Sunday Top Ten list... because it has. But if
I don't do one now, before the heat of Oscar season really starts
beating down upon us, then it'd never get done! So here's a top ten
list that a number of people have been asking for.
In anticipation of Frozen's
imminent release (which I am very much looking forward to), I've
finally joined the sizable flock of Gen-Y-ers on the Internet who
have their own distinct ranking of the animated features of Walt
Disney Studios. No two lists (and there are a ton of them out there)
are quite the same, but they all share one thing in common: No one
has an easy time making them.
I've discovered that my own
relationship with the iconic studio's 52 theatrical releases –
needless to say, the works of Pixar do not count – is a conflicted
and perpetually evolving one. As a child of the 90s being raised on
the miracle of “home video”, I indiscriminately loved
Disney films of all ages, from the antiquated Snow White to
their most state-of-the-art releases. Frankly, I couldn't tell that
some of these films were made 60 years apart, and the notion of
systematically ranking them against each other never crossed my mind
for even a split second. It was the only phase of my life when what I
felt for the movies was pure, unconditional love.
As my burgeoning interest in cinema
(and a nettlesome sense of pretentiousness) began to develop in
adolescence, I suddenly found that certain toons I had blissfully
smiled through not long ago were failing to pass my new-found
discernment. At the same time, new charms and nuances that had flown
over my head when I was knee-high began to reveal themselves. The
magic wasn't gone from these films – not all of them. The magic was
simply changing. Letting a movie win you over a second time but for
different reasons is a special sensation.
Weighing a combination childhood
nostalgia and that unnameable quality that genuinely speaks to me as
an adult was the only way I could come close to sussing out a top
ten. I'm sure many readers will cry foul that 'this' film or 'that'
film was omitted, but I believe it to be an appropriately diverse and
personal list that nicely represents the things I love most about the
Disney legacy. And no, I did not have an easy time making it
(although long-time readers should easily be able to predict my #1
pick).
So without further ado, my top ten Disney animated
features:
Labels:
101 Dalmatians,
Aladdin,
animated feature,
Beauty and the Beast,
Disney,
musicals,
Pinocchio,
Snow White,
Tangled,
The Fox and the Hound,
The Jungle Book,
The Lion King,
Top Ten,
Wreck-It Ralph
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