Showing posts with label I Am Not Your Negro. Show all posts
Showing posts with label I Am Not Your Negro. Show all posts

Wednesday, February 22, 2017

Top Twenty Movies of 2016, Part 1 (#20-11)

It's always interesting for me to see how the overall quality of the year in film affects my selection process for annual "Best of" lists. Strong years can make it easy to decide on a top twenty, but makes ranking them a chore. Years such as this, on the other hand, feel pretty settled in terms of what's the best (don't expect me to deviate too much from the median when it comes to my top two), but then fleshing out the rest of the list is more taxing.
For me, my #14-9 slots were constantly shifting as the year progressed, and will likely continue to do so long after this publication. #20-15 feel almost arbitrary, as all of them are largely flawed efforts that wouldn't even figure into my consideration during a stronger year, but boast specific assets and memorable hooks that help them to stand out.

I don't mean to cast shade here. The point of articles like this are to celebrate, not to denigrate. And anyone who claims that there aren't at least 20 movies worth celebrating any given year clearly doesn't watch enough movies.

First, a few shout-outs to titles that just missed the cut:
-To The Lobster for the originality of its deadpan dystopia
-To Moana for its grand musicality and gorgeous Pacific scenery
-To Queen of Katwe for its earthy slice of life wrapped in a sports movie
-To The Red Turtle for its painterly magic realism
-To The Salesman for its gripping moral complexity
-To Tanna for its vibrant cultural snapshot of native Melanesia
-To Toni Erdmann for its droll father-daughter absurdism
-To Tower for its powerful alchemy of testimonial, reenactment and animated abstraction

A now, the back half of my Top Twenty[-one] Movies of 2016 [UPDATED]:

Monday, February 20, 2017

One Category at a Time: Best Documentary

In the years since the Academy tweaked its rules to allow the entire voting membership to cast a ballot in this category, Best Documentary has gone from one of the trickiest calls to one of the easiest. Four years running now they've gone with the whichever nominee has received the most critical and guild attention. That trend will be put to the test this year as the title which fits that glove is a unique contender in the Oscar race.