In the Academy's 88 years, only a couple of filmmakers have won back-to-back Best Director Oscars; John Ford in the 40s and Joseph L. Mankiewicz in the 50s. Since then... Not even close. But that all looks to change this year.
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Miller (George). Show all posts
Showing posts with label Miller (George). Show all posts
Wednesday, February 24, 2016
One Category at a Time: Director
Labels:
Abrahamson,
director,
Inarritu,
Mad Max,
McCarthy (Tom),
McKay,
Miller (George),
Oscar predictions,
Room,
Spotlight,
The Big Short,
The Revenant
Monday, February 22, 2016
My Award Nominations: Director
My final official nominee announcement this year is Best Director. Rather than similarly highlighting just my five Best Picture nominees, I'll be publishing my top 20 pics of the year in two lists on Tuesday and Wednesday. But for now, the five helmers whose storytelling most impressed me in 2015:
Labels:
Carol,
director,
Docter,
Haynes,
Inside Out,
Mad Max,
Miller (George),
My Awards,
Nemes,
Sicario,
Son of Saul,
Villeneuve
Friday, May 22, 2015
Review - Mad Max: Fury Road
It's a mad, mad, mad, mad world. Max is
just living in it. Well, existing in it.
By his own admission, survival is the one instinct that he – the last sane man in a world gone crazy – has been reduced to as he wanders through the post-
apocalyptic Wasteland in Mad Max: Fury Road, the fourth in a film series that hasn't revved its engines since 1985.
By his own admission, survival is the one instinct that he – the last sane man in a world gone crazy – has been reduced to as he wanders through the post-
apocalyptic Wasteland in Mad Max: Fury Road, the fourth in a film series that hasn't revved its engines since 1985.
The real madman is
producer-writer-director George Miller. Mad for deciding to pull his
long dormant road warrior out of retirement 30 years beyond
Thunderdome; Mad for conceiving the sort of world that
heretofore could only have existed in a truck-driving anarchist's
worst acid trips; And finally, mad for pulling it off with the sheer
mind-shredding gusto that filmmakers half his age (he recently turned
70) consistently struggle to inject into modern action movies.
Labels:
2015 Review,
cinematography,
film editing,
Hardy,
Hoult,
Keays-Byrne,
Mad Max,
Miller (George),
Seale,
Sixel,
Theron
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