One... er, Three Categories at a Time: The Shorts

For the last several years, Shorts International has done an excellent job at bringing the Oscar nominated short to theatres and other online outlets so that ordinary plebeians like myself can actually see all the entries in these once marginalized categories. There's something to be said for the creative liberation that many filmmakers enjoy when working with a shorter format, and this year's strong crop of mini-movies certainly verifies that. At the end of the day, good storytelling knows no length.

Frozen leads Annie Award winners

Frozen won five ANNIE Awards tonight including Best Animated Feature, further solidifying its stranglehold on the Oscar. But as the ANNIEs have been more prone to doing in recent years since adjusting their voting system, the wealth was spread out a bit. Monsters University won a pair and The Croods won three. Even The Wind Rises surprisingly popped up as the winner for Best Writing.

Over in the Short Subjects category, Oscar frontrunner Get a Horse won the day, so make of that what you will. Seems like as decent an Oscar prediction as any.

Check out the feature film winners after the cut.

Review - Frozen

Casual moviegoers with kids to entertain for an hour or so can be forgiven for thinking that the latest animated effort from Walt Disney Studios is little more than a slapsticky romp about an impish snowman. That is, after all, the only clue they've been given by the TV ads and movie posters, but those only represent the tip of the proverbial ice berg. With Frozen, Disney actually makes as earnest an attempt as they have in the last 15 years to recapture the magic of their 1990s musical heyday, with a Broadway pedigree cast and not one, but two new Disney princesses front and centre.

The story, written by Shane Morris and co-directors Jennifer Lee & Chris Buck, is based very loosely on Hans Christian Anderson's The Snow Queen, although its vague Scandinavian setting seems to be all that was retained from Anderson's original 19^th century fable. This re-imagining tells of two princesses in the fictional land of Arendelle. Elsa, the eldest and therefore first in line to inherit the crown, was born with the magical ability to form ice and snow with the slightest gesture. Anna, the youngest, adores frolicking in the indoor winter wonderlands her sister can conjure, until a near-death accident convinces their parents that the girls should be separated and Elsa's powers kept under wraps.

Annie nominations kick off a crowded December

It must be December, because lists of nominations, top tens, and critics' superlatives are officially upon us. Today, ASIFA-Hollywood dropped their bloated slate of nominees for the 41st Annie Awards, and the Golden Satellite nominations were announced. If those two groups don't quite have you titillated (neither of them move the needle much in terms of influence on the awards race), then look forward to the coming days when we can expect announcements from the New York critics, LA critics, and the National Board of Review.

But back to the Annies...

In the feature film categories, Monsters University and the likely Oscar frontrunner Frozen lead the way with ten nominations. Following with nine are The Croods and Despicable Me 2 (no, I'm not inclined to count the latter's short film Puppy or its nominated TV commercial towards its total).

Speaking of shorts, the only ones to pop up both here and on the Academy's shortlist are Disney's Get A Horse! (the presumed frontrunner), the NFB's Gloria Victoria (a fringe contender if ever there was one), and the BBC's Room on the Broom (from the makers of the 2011 nominated short The Gruffalo). So make of that what you will.

Best Animated Feature

• A Letter to Momo - 
GKIDS
• Despicable Me 2 - 
Universal Pictures
• Ernest & Celestine
 - GKIDS
• Frozen - 
Walt Disney Animation Studios
• Monsters University - 
Pixar Animation Studios
• The Croods
 - DreamWorks Animation
• The Wind Rises
 - The Walt Disney Studios