As many of us have been thinking ever since the BAFTAs so judiciously spread the wealth nine days ago (right before Oscar polls opened), a La La Land crafts sweep is now more improbable than probable, and I'd argue the category where it faces the biggest uphill climb is Best Costume Design.
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Allied. Show all posts
Showing posts with label Allied. Show all posts
Tuesday, February 21, 2017
One Category at a Time: Best Costume Design
Labels:
Allied,
Atwood,
Boyle (Consolata),
costume design,
Fantastic Beasts,
Florence Foster Jenkins,
Fontaine,
Jackie,
Johnston (Joanna),
La La Land,
Oscar predictions,
Zophres
Tuesday, February 7, 2017
My Award Nominations: Costume Design
This might be 2016's strongest craft category if you ask me. So many projects positively dripping with sartorial taste, leaving us with an embarrassment of well-tailored riches. Choosing five Best Costume Design nominees was tough, but choosing a winner is going to be my biggest challenge.
Labels:
Allied,
Boyce,
Cho (Sang-kyung),
Cook (Deborah),
costume design,
Johnston (Joanna),
Kubo and the Two Strings,
Live by Night,
My Awards,
The Dressmaker,
The Handmaiden,
West (Jacqueline),
Wilson (Margot)
Tuesday, January 24, 2017
Oscar Noms 2016-17
Today has been too busy for me to provide any kind of in-depth response to the announcement of 2016's Oscar nominees, but here's an oversimplified rundown of The Good and The Bad (we'll hold off on The Ugly since most of these nominees are beauts). I'll have time to analyze each of the 24 races when "One Category at a Time" returns in a few weeks.
Until then, some off-the-top reactions:
THE GOOD
Until then, some off-the-top reactions:
THE GOOD
Labels:
20th Century Women,
Adams (Amy),
Allied,
Bening,
Fences,
Gibson (Mel),
Grant,
Huppert,
Jackie,
Joe's Violin,
Kubo and the Two Strings,
Oscars,
Passengers,
Sing Street,
Suicide Squad,
The Handmaiden
Sunday, December 11, 2016
Thoughts on 'Lion' and Others [Updating...]
Within minutes of this posting the Critics' Choice Awards will start, the first televised awards show of the season. But since it's happening a month earlier than it normally does, it will hardly count as the most significant awards news of the upcoming week. Tomorrow will see the unveiling of the Golden Globe nominations, followed by SAG nominations on Wednesday.
As all this happens, more contenders begin creeping out of their limited release hidey holes. I caught up with one such contender this afternoon, The Weinstein Co.'s big hopeful Lion, which hasn't been that healthily represented in first half-dozen-or-so critics awards, but the Academy will rectify that.
The movie is pretty great.
As all this happens, more contenders begin creeping out of their limited release hidey holes. I caught up with one such contender this afternoon, The Weinstein Co.'s big hopeful Lion, which hasn't been that healthily represented in first half-dozen-or-so critics awards, but the Academy will rectify that.
The movie is pretty great.
Labels:
2016 Review,
Allied,
Davis (Garth),
Edwards (Gareth),
Fantastic Beasts,
Hell or High Water,
Jackie,
Larrain,
Lion,
Mackenzie (David),
Park Chan-Wook,
Passengers,
Rogue One,
Star Wars,
The Handmaiden,
Zemeckis
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