The
contest for Best Adapted Screenplay is stuffed with the four leading
Best Picture contenders, which makes it rather tricky to anticipate
this year. We have a difficult literary adaptation from a popular
potential sweeper, a quirky screwball comedy that a lot of pundits
seem to be underestimating, a verbose historical drama that glows
with eloquent language, and a zingy crowd-pleaser that appears first
in line to win Best Picture. Joining them is a scrappy indie whose
best shot at winning anything may come in this category (not that
it's a great shot).
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Alibar. Show all posts
Showing posts with label Alibar. Show all posts
Thursday, February 14, 2013
One Category at a Time: Adapted Screenplay
Labels:
adapted screenplay,
Alibar,
Argo,
Beasts of the Southern Wild,
Kushner,
Life of Pi,
Lincoln,
Magee,
Oscar predictions,
Russell (David O),
Silver Linings Playbook,
Terrio,
Zeitlin
Monday, January 14, 2013
My Award nominations: Adapted Screenplay
To be honest, there weren't as many formidable contenders for these spots as in other categories. The five you see here went pretty much unchallenged in my opinion, although The Avengers came awfully close, so here's a quick shout out to Joss Whedon and Zak Penn. Now, my actual nominees for Best Adapted Screenplay:
Labels:
Alibar,
Argo,
Beasts of the Southern Wild,
Chbosky,
Kushner,
Lewin,
Lincoln,
My Awards,
Terrio,
The Perks of Being a Wallflower,
The Sessions,
Zeitlin
Wednesday, September 12, 2012
Review - Beasts of the Southern Wild
A remarkable meditation on the balance
of nature and the inevitability of change, rookie feature director
Benh Zeitlin's Beasts of the Southern Wild chronicles the
life-changing odyssey of a little girl and her small community as
they attempt to keep their way of life afloat following a cataclysmic
event.
Six-year-old Quvenzhane Wallis plays
Hushpuppy, a fiercely curious child with simple yet profound
knowledge about the way the universe fits together. In her bayou
shanty town affectionately entitled The Bathtub (a marvelously
constructed film environment that brims with character), she lives
with her father Wink (Dwight Henry) and an assortment of free-range pets
whose heartbeats she is always listening for – a reassurance that
the pulse of the universe is still ticking. When news comes that a
terrific storm approaches their low-lying tract of land, many head
for higher ground, but Wink and a handful of other holdouts
stubbournly stay to spite this catastrophic occurrence. Meanwhile,
ancient beasts known as aurochs – think Erymanthian Boar, but
bigger – are thawed out of the southern polar icecaps, and migrate
north out of hunger towards the now sunken Bathtub. With their homes
below water, the ragtag group of swamp dwellers band together and eke
out a survival plan, while Hushpuppy watches and learns, all the
while looking for a way to fix the broken piece of the universe and
set things right once more.
Labels:
2012 Review,
Alibar,
Beasts of the Southern Wild,
Boeddeker,
DiGerlando,
Doob & Goncalves,
Henry (Dwight),
Richardson (Ben),
Romer,
sound mixing,
Wallis (Q),
Zeitlin
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