When AMPAS made its ruling to move Moonlight to Best Adapted Screenplay from its Original designation, it looked as though the way was paved for Barry Jenkins to claim at least one Oscar of his own for one of the most critically acclaimed films of the year. But the situation is not so cut and dry...
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Wilson (August). Show all posts
Showing posts with label Wilson (August). Show all posts
Wednesday, February 22, 2017
One Category at a Time: Best Adapted Screenplay
Labels:
adapted screenplay,
Arrival,
Davies,
Fences,
Heisserer,
Hidden Figures,
Jenkins (Barry),
Lion,
McCraney,
Melfi,
Moonlight,
Oscar predictions,
Schroeder,
Wilson (August)
Tuesday, January 3, 2017
January is for Oscar Movies
Gonna be tough to keep up with the storm of guild announcements, televised awards shows, personal year-in-review posts and late-breaking Oscar players over the next two months. I'll just have to figure out a way.
For those last minute stragglers, I won't have the luxury of exercising my full review muscles (consider my La La Land piece a holiday indulgence), but I'll deposit my abbreviated thoughts here throughout the month.
For those last minute stragglers, I won't have the luxury of exercising my full review muscles (consider my La La Land piece a holiday indulgence), but I'll deposit my abbreviated thoughts here throughout the month.
My first screening of the new year was Denzel Washington's realization of the long dormant Fences adaptation, scripted by its original playwright August Wilson some time before his 2005 death. The screenplay itself doesn't take much advantage of the opportunity for other forms of exposition besides dialogue, but Washington's direction is sturdy, unobtrusive, and has a more cinematic eye.
Labels:
2016 Review,
20th Century Women,
Bening,
Crudup,
Davis (Viola),
Fanning (Elle),
Fences,
Ferretti,
Gerwig,
Mills,
Prieto,
Scorsese,
Silence,
Washington (Denzel),
Wilson (August),
Zumann
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