Showing posts with label The Light Between Oceans. Show all posts
Showing posts with label The Light Between Oceans. Show all posts

Monday, January 30, 2017

My Award Nominations: Cinematography

The best of 2016's photographic achievements basically came down to a six-horse race for me, and not so different from Oscar's final five. My 'just missed' selection still managed an Oscar nom, and I'm not complaining. I seriously considered allowing myself six Best Cinematography nominees this year, but rules are rules. My five finalists are:

Thursday, January 5, 2017

FYC: My Nomination Wish List as Oscar Polls Open

Ballots were mailed today to the Academy's 7000-some-odd voting members,
so now is the natural time for me and Oscar bloggers everywhere to deliver our impassioned last-minute "For Your Consideration" pleas on behalf of the underrated and overlooked of the awards season thus far.

Mind you, I don't circulate in any circles of influence on such matters, but that shouldn't stop any of us from professing what potential goodies we'd luuuuuv to unwrap on nomination morning (our Christmas, y'know). AMPAS could do a lot worse than to at least give these longshots an honest chance:

Actors
While the depiction of Chiron in Moonlight is undoubtedly a cumulative piece between three actors, it's Trevante Rhodes' iteration that has critics most frustrated for being unable to gain any attention outside a bevy of Best Ensemble citations. True, there doesn't seem to be much room for Rhodes in a Best Supporting Actor conversation that's been utterly dominated by costar Mahershala Ali, but why not take advantage of a thin year and place him the category where he belongs: Best Actor. The same logic should be extended to Dev Patel in Lion, screen time be damned. Who's going to argue that the characters these men play aren't the leads of their respective films?

Saturday, October 1, 2016

September Festivals and Releases Offer Oscar Season Warm-Up

For journos and festival globetrotters, Oscar season officially kicks off in early September with the unveiling of several potential contenders at Venice, Telluride and Toronto (big takeaway is that Damien Chazelle's La La Land -- my most anticipated film of 2016 -- seriously has the goods). But for Oscar hobbyists like you and me, September is merely a warm-up period; A chance to read up on all the festival players and ease out of blockbuster mode, as more adult fare that may not have what it takes to go all the way look to cash in on summer fatigue.