My Award Nominations: Original Screenplay

The Academy's judgment that Moonlight and Loving be considered adaptations certainly thinned things out in this field (while I normally don't hold myself to taking Oscar's cues, it appears in both cases to be have been a reasonable decision), but on the plus side it freed me up to welcome a bubble contender or two into the fray. My five favourite Original Screenplays of the year are:

FYC: My Nomination Wish List as Oscar Polls Open

Ballots were mailed today to the Academy's 7000-some-odd voting members,
so now is the natural time for me and Oscar bloggers everywhere to deliver our impassioned last-minute "For Your Consideration" pleas on behalf of the underrated and overlooked of the awards season thus far.

Mind you, I don't circulate in any circles of influence on such matters, but that shouldn't stop any of us from professing what potential goodies we'd luuuuuv to unwrap on nomination morning (our Christmas, y'know). AMPAS could do a lot worse than to at least give these longshots an honest chance:

Actors

While the depiction of Chiron in Moonlight is undoubtedly a cumulative piece between three actors, it's Trevante Rhodes' iteration that has critics most frustrated for being unable to gain any attention outside a bevy of Best Ensemble citations. True, there doesn't seem to be much room for Rhodes in a Best Supporting Actor conversation that's been utterly dominated by costar Mahershala Ali, but why not take advantage of a thin year and place him the category where he belongs: Best Actor. The same logic should be extended to Dev Patel in Lion, screen time be damned. Who's going to argue that the characters these men play aren't the leads of their respective films?

March palette cleansers

New releases will be low on my list of priorities for the next few weeks, but anything I do happen to see in the 'Oscar off-season' (three so far) I'll mention here.

2016 predictions coming later this spring.

My Award Nominations: Best Original Song

There weren't that many films with good original songs this year (basically there was Begin Again and then everything else), but the songs that did I decide upon I rather like. Have a listen to my five Best Original Song nominees after the cut:

One Category at a Time: Original Song

It feels strange whenever there's a year in which the music branch doesn't do something outright embarrassing. I guess you could disparage the disqualification of Antonio Sanchez's percussive Birdman score, but that's not so much a fresh embarrassment as the branch simply continuing to follow their own foolish rules.

But in regards to their Best Original Song selections, we have nothing on the level of 'Alone-Yet-Not-Alone-gate' from last year, or the hilarious two-nominee field from 2011. The music branch mostly obeyed the rules, singling out the three main songs that most people expected to be nominated, plus shining a light on couple of lower-profile tunes without any embarrassment.

Or at least without any overt embarrassment.