Whatever the makeup branch of the Academy is doing, it has to stop. I know some people really adore how this branch constantly goes out of its way to honour outright terrible films that happen to have elaborate makeup work, but two years in a row now it has come at the expense of the actual best makeup jobs of the year. Last year it was the invisibly convincing period makeup of Lincoln that gave way to the obvious (and hardly buyable) prosthetics of Hitchcock on nomination morning. This year was even worse, as the best work of the year failed to even make the bakeoff! So now we have Academy Awards nominees Bad Grandpa and The Lone Ranger, which I wouldn't mind so much if their old age makeup didn't look so rubbery and fake.
Anyway, rant over. Here is the true Best Makeup and Hair of 2013:
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label The Butler. Show all posts
Showing posts with label The Butler. Show all posts
Sunday, February 16, 2014
My Award nominations: Makeup and Hair
Labels:
American Hustle,
Berger,
Coulier,
Dallas Buyers Club,
Gordon (Katherine),
Lee (Adruitha),
Lone Survivor,
makeup,
Mathews,
Mungle,
My Awards,
Rush,
The Butler
Makeup and Hairstylists Guild winners
The Makeup and Hairstylists Guild handed out hardware for the first time in 10 years last night, and two of this year's Oscar nominees came away with winning honours; Bad Grandpa and Dallas Buyers Club, the latter of which I'm predicting to triumph with the Academy.
Winners and brief opinions after the cut.
Winners and brief opinions after the cut.
Labels:
American Hustle,
Bad Grandpa,
Dallas Buyers Club,
makeup,
MUAHS,
Prisoners,
The Butler
Saturday, December 14, 2013
Makeup bake-off replete, as always, with baffling omissions
I don't know why I even bother predicting Best Makeup nominees before the list of finalists is unveiled. Every year there's at least one (or two, or in this case three of my presumed nominees) that fail to advance past the bake-off stage.
The unforgivable omissions this year are Rush and The Hobbit. The former not only applied squeamishly effective burn prosthetics to star Daniel Bruhl, but also featured tons of striking period hairstyles. In the case of the latter, I suppose it's possible that the makeup branch didn't deem there to be enough new makeup after last year's nominated effort already introduced us to all those dwarfs, but this one did boast many new characters designs from orcs to elves to skin-changers and involved a shitload of grime/dirt/weathering effects.
Confusing. Just... so confusing.
The unforgivable omissions this year are Rush and The Hobbit. The former not only applied squeamishly effective burn prosthetics to star Daniel Bruhl, but also featured tons of striking period hairstyles. In the case of the latter, I suppose it's possible that the makeup branch didn't deem there to be enough new makeup after last year's nominated effort already introduced us to all those dwarfs, but this one did boast many new characters designs from orcs to elves to skin-changers and involved a shitload of grime/dirt/weathering effects.Confusing. Just... so confusing.
Labels:
Bad Grandpa,
Dallas Buyers Club,
makeup,
Rush,
The Butler,
The Great Gatsby,
The Hobbit,
The Lone Ranger
Wednesday, August 28, 2013
Capsule Reviews for the Dog Days of Summer
With the fall festival season just around the corner and pundits gearing up for the months-long deluge of awards hopefuls, now seems like a good opportunity to take advantage of the calm before the storm by catching up with some summer releases I never got around to writing about. Here are some 1-or-2-sentence reactions to various films:
Labels:
2013 Review,
Blackfish,
Despicable Me 2,
Epic,
Frances Ha,
Fruitvale Station,
Spring Breakers,
The Butler,
The Conjuring,
The Grandmaster,
The Lone Ranger,
This Is The End,
We Steal Secrets
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