Mourning in the American 'Wild' and the Irish 'Sea': Double Feature Review

Late December is often a time of great celebration. No matter what your faith or customs may be, there's always an extra emphasis on enjoying time with our loved ones this season, as we prepare to close the book on one year and eagerly welcome another.

But, inevitably, the closing out of the year also becomes a time of solemn reflection, to remember what we've lost while cherishing what we still have. 2014 somehow feels like a disproportionately painful year for the filmmaking community; The tragic premature deaths of geniuses like Robin Williams and Philip Seymour Hoffman punctuating an already long list of cinema giants who finally left us after significant, fruitful lives.

Perhaps that's why it's been so much on my mind as I've frequented the movies this year. I don't want to be responsible for giving anyone a case of the holiday blues, but it's been impossible for me not to notice a similar thread running through a number of 2014's major releases; A thread about the way people deal with loss, process grief, and ultimately find closure; A thread about how mourning varies from individual to individual, yet is universally human.

A pair of distinctive and radically different films that are currently in limited release, Wild and Song of the Sea, suddenly seem like distant cousins when viewed through this thematic prism.

My Award nominations: Makeup and Hair

Whatever the makeup branch of the Academy is doing, it has to stop. I know some people really adore how this branch constantly goes out of its way to honour outright terrible films that happen to have elaborate makeup work, but two years in a row now it has come at the expense of the actual best makeup jobs of the year. Last year it was the invisibly convincing period makeup of Lincoln that gave way to the obvious (and hardly buyable) prosthetics of Hitchcock on nomination morning. This year was even worse, as the best work of the year failed to even make the bakeoff! So now we have Academy Awards nominees Bad Grandpa and The Lone Ranger, which I wouldn't mind so much if their old age makeup didn't look so rubbery and fake.

Anyway, rant over. Here is the true Best Makeup and Hair of 2013: