Since the art of picture editing is so tricky to assess on face value, it can be equally tricky to predict how a large voting body like the Academy will assess it. The Oscar for Best Film Editing usually goes either to the Best Picture winner or probable runner-up, or occasionally something far from winning Best Picture but which obviously features the "most" editing. Over the last fifteen years, three precursor groups in particular have been informative: The BAFTA, the BFCA, and the ACE guild.
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Sanders (Nat). Show all posts
Showing posts with label Sanders (Nat). Show all posts
Thursday, February 16, 2017
One Category at a Time: Best Film Editing
Labels:
Arrival,
Cross,
film editing,
Gilbert (John),
Hacksaw Ridge,
Hell or High Water,
La La Land,
McMillon,
Moonlight,
Oscar predictions,
Roberts (Jake),
Sanders (Nat),
Walker (Joe)
Thursday, February 9, 2017
My Award Nominations: Editing
All five of these movies that I've chalked up as having the Best Editing of the year all have one thing in common: Excellent pacing. And yet I'm fascinated at how incredibly diverse their tempos are, some finding rhythm in languid relaxation, others in frenetic montage. Check them out below.
Labels:
20th Century Women,
Arrival,
Cross,
film editing,
Hell or High Water,
Jones (Leslie),
La La Land,
McMillon,
Moonlight,
My Awards,
Roberts (Jake),
Sanders (Nat),
Walker (Joe)
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