There are just 22 business days left until the Oscars, and yet it still feels like they're an eternity away. Part of that may have to do with the fact that the Winter Olympics (the only arena in which my home country can even come close to claiming world-power status, so I'll be watching them intently) has pushed the awards ceremony, and consequently the voting period, back a week.
That's an awful long wait, during which an awful lot can happen to affect the race. Gravity stands as the frontrunner at this moment, but we may have plenty of reason to believe otherwise by the time Oscar night is upon us. Heck: we have plenty of reason to believe otherwise right now! But I'll get to that category in due course. Obviously, I tend to start these prediction columns with the categories that are easiest to call, and one of the easiest calls this year is Best Cinematography.
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Le Sourd. Show all posts
Showing posts with label Le Sourd. Show all posts
Thursday, January 30, 2014
One Category at a Time: Cinematography
Labels:
cinematography,
Deakins,
Delbonnel,
Gravity,
Inside Llewyn Davis,
Le Sourd,
Lubezki,
Nebraska,
Oscar predictions,
Papamichael,
Prisoners,
The Grandmaster
Monday, January 13, 2014
My Award nominations: Cinematography
I'm kicking off this year's award nominees with my favourite of all categories, Best Cinematography. There was a lot of great work to pick from this year, and inevitably I had to leave some excellent work off my final five (some that will probably be Oscar recognized anyway).
Check out my top five below, accompanied by my favourite shot from each.
Check out my top five below, accompanied by my favourite shot from each.
Labels:
cinematography,
Deakins,
Delbonnel,
Gravity,
Inside Llewyn Davis,
Le Sourd,
Lubezki,
Mantle,
My Awards,
Prisoners,
Rush,
The Grandmaster
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