Review - Everest

The Himalayas are an astonishing sight (or so I assume – never been there), and Mt. Everest reigns supreme. Drawing climbers from around the globe with the tantalizing challenge of standing at the very top of the world, Earth's highest mountain inspires awe, but what it deserves even more is reverence.
Beautiful things can be deadly, and this is no place for those who fear death.

It was a tragic lesson learned in the spring of 1996 when two commercial mountaineering outfits became stranded on the summit in the midst of a ferocious blizzard. Everest dramatizes this catastrophe extensively, cobbled together from what survivor accounts could be disseminated.

Unknown director Baltasar Kormákur was probably the least expected name to oversee a big-budget fall studio project with a large, starry cast. Accordingly, the movie he's delivered is not quite what you'd expect either. In fact, it's harder to peg down than ropes to an ice face in whiteout conditions.

Review - Dawn of the Planet of the Apes

In Rise of the Planet of the Apes – the surprisingly good 2011 reboot of the classic sci-fi franchise – we met Caesar, a super smart lab chimp contemplating his place in a human world that would keep him caged up. In Dawn of the Planet of the Apes – the excellent new sequel which delivers high blockbuster thrills in a story with the dramatic scope of a Shakespearean tragedy – Caesar is older and a bit wiser, but still has a lot to learn about the cruel subtleties of trust and leadership.

Picking up ten years after the events of Rise, Dawn finds humankind all but extinct due to a pandemic outbreak of the same man-made virus that blessed Caesar (Andy Serkis) with heightened intelligence in the first place. Conversely, he and his posse of escaped simian brethren have since flourished into a thriving ape community in the temperate rainforest of northern California, with any humans happily out of sight and out of mind.