Even when you see well under a hundred movies a year, listing a mere top ten can still be awfully limiting. So this year I'm making time to lavish praise on twenty, which I should have started doing a long time ago. And even with twice as much love going around, there still isn't room to fit in every noteworthy achievement of 2015, so first a few shout-outs:
To Matthew Heineman's gripping expose on vigilantes fighting a hopeless war in Cartel Land; To Deniz Gamze Ergüven for evoking the sisterly bonds of Mustang with such purity and sensitivity; To Steven Spielberg's sturdy, classical construction of the Cold War pseudo-thriller Bridge of Spies; And to J.J. Abrams for reawakening our love of the galaxy far, far away in his exciting and affectionate Star Wars: The Force Awakens.
And now, the first half of my Top 20 Movies of 2015:
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Boy and the World. Show all posts
Showing posts with label Boy and the World. Show all posts
Tuesday, February 23, 2016
Top 20 of 2015, Part 1 (#20-11)
Labels:
2015 Review,
45 Years,
A War,
Amy (doc),
Boy and the World,
Brooklyn,
Ex Machina,
Love & Mercy,
Mr. Holmes,
Ricki and the Flash,
The Martian,
Top Ten
Sunday, February 21, 2016
My Awards: Animated Feature
I'm nearing the end of my personal nominations, and today I post my picks for the specialty categories of Foreign, Documentary and Animated Features. Inevitably, there's a fair bit of overlap with AMPAS, as I never get around to catching much more than what's up for the Oscar in these niche arenas.
So, you know, subject to change and all that.
Here are my top options for Best Animated Feature:
So, you know, subject to change and all that.
Here are my top options for Best Animated Feature:
Labels:
Abreu,
animated feature,
Anomolisa,
Boy and the World,
Del Carmen,
Docter,
Inside Out,
Johnson (Duke),
Kauffman,
Martino,
My Awards,
The Peanuts Movie,
When Marnie Was There,
Yonebayashi
Sunday, February 7, 2016
Inside Out dominates Annie Awards
While all eyes were on the DGA last night, ASIFA-Hollywood held its annual Annie Awards. It was a great night for Pixar Studios, which scooped every single eligible category, mostly for Inside Out (quelle surprise), although The Good Dinosaur was tossed one very deserving consolation win for its visual effects.
As a nice change, the organization added a category for Independent Feature Animation. Is it a ghetto category? Sure. But small, scarcely distributed animated films would never stand a chance against widely seen studio fare. I'm delighted to see Ale Abreu's wonderful Boy and the World took this prize, and hope that it helps ensure the continued success of international GKIDS pickups in future awards seasons.
Equally delightful was the decision to give Best Animated Short to Don Hertzfedlt's brilliant World of Tomorrow. Fingers crossed for the Oscar!
Check out all the feature film winners after the cut.
As a nice change, the organization added a category for Independent Feature Animation. Is it a ghetto category? Sure. But small, scarcely distributed animated films would never stand a chance against widely seen studio fare. I'm delighted to see Ale Abreu's wonderful Boy and the World took this prize, and hope that it helps ensure the continued success of international GKIDS pickups in future awards seasons.
Equally delightful was the decision to give Best Animated Short to Don Hertzfedlt's brilliant World of Tomorrow. Fingers crossed for the Oscar!
Check out all the feature film winners after the cut.
Labels:
Abreu,
animated feature,
animated short,
ANNIE Awards,
Boy and the World,
Hertzfeldt,
Inside Out,
Pixar,
The Good Dinosaur,
World of Tomorrow
Monday, February 1, 2016
One Category at a Time: Best Animated Feature
With a limited number of eligible entries being submitted each year, it's usually no hard task predicting the winner of Best Animated Feature. Last year's contest may have been a nebulous one due to the vacuum created by the shocking omission of The LEGO Movie, but strange circumstances of that ilk are the exception to the rule.
This year we're back to the status quo with a bona fide lock that's entirely deserving of that designation. But first, let's briefly peruse the other nominees, which represent a diverse cross-section of styles and stories. For these four, the true value is the nomination, which will hopefully draw new audiences that might otherwise have passed them by.
This year we're back to the status quo with a bona fide lock that's entirely deserving of that designation. But first, let's briefly peruse the other nominees, which represent a diverse cross-section of styles and stories. For these four, the true value is the nomination, which will hopefully draw new audiences that might otherwise have passed them by.
Labels:
Abreu,
animated feature,
Anomolisa,
Boy and the World,
Burton & Starzak,
Docter,
Inside Out,
Johnson (Duke),
Kauffman,
Oscar predictions,
Rivera,
Shaun the Sheep,
When Marnie Was There,
Yonebayashi
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