This is another one of those categories that seems fairly transparent from afar. I suspect one film to be unanimously predicted by pundits, and then to win, naturally. But even though it looks to be an open and shut case, the other nominees sport excellent sound work, and very much deserve the recognition that their nominations imply.
The sound branch nominated four of the same titles that were cited by the Cinema Audio Society, with only Iron Man 3 failing to translate that CAS nod into an Oscar nod. That is all very usual. Also very usual is the high degree of overlap between this category and Best Sound Editing. Only one of the Sound Mixing nominees did not receive an accompanying nomination in its brother category, and that's the one we'll start with...
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Beanstead. Show all posts
Showing posts with label Beanstead. Show all posts
Friday, February 7, 2014
One Category at a Time: Sound Mixing
Labels:
Adiri,
Beanstead,
Boyes,
Captain Phillips,
Gravity,
Hedges,
Inside Llewyn Davis,
Kurland (Peter),
Lievsay,
Lone Survivor,
Munro,
Orloff,
Oscar predictions,
Semanick,
Smith (Mike P),
sound mixing,
The Hobbit
Wednesday, January 29, 2014
My Award nominations: Sound Mixing
The sound people provided us with a wealth of rich sounding films this year. I once thought that my own award would be a slam dunk for one film in particular, but as I look at my final five, I honestly don't know which one I'm going to crown the best Sound Mixing of the year. They're all so deserving...
Labels:
12 Years a Slave,
Adiri,
All Is Lost,
Beanstead,
Boeddeker,
Collins (Ryan),
Glascock,
Gravity,
Hambrook,
Korte,
Lievsay,
Munro,
My Awards,
Proctor,
Rush,
Shatz,
sound mixing,
Spring Breakers,
Watkins
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