While the ranks of leading men were a bit thin this year (though not really as bad as some are declaring), there were many supporting players to choose from, and that's not even including lead performers who were campaigned in this category. These five true Supporting Actors were tops for me, and on any given day the list could change.
An impartial and unbiased (yeah right) examination of awards season madness
Showing posts with label Fiennes. Show all posts
Showing posts with label Fiennes. Show all posts
Thursday, January 19, 2017
My Award Nominations: Supporting Actor
Labels:
A Bigger Splash,
Ali,
Bennett (Tom),
Ehrenreich,
Fiennes,
Hail Caesar!,
Love & Friendship,
Moonlight,
My Awards,
Oyelowo,
Queen of Katwe,
supporting actor
Sunday, September 4, 2016
Review - Kubo and the Two Strings
EDITOR'S NOTE: Not a return to full reviews for me, I'm afraid. Just an exercise to shake some of the rust off. It'll be back to capsules for awards season movies.
In a bustling village square, in some unnamed era of pre-Imperial Japan, a boy wearing an eye-patch and a baggy samurai robe drops a pile of paper on the ground and strums a power chord on his shamisen. As though by instinct, the crowd turns, silences, and gathers 'round with barely-contained excitement.
“If you must blink, do it now,” instructs Kubo (for that is his name), literally commanding the attention of his audience.
In a bustling village square, in some unnamed era of pre-Imperial Japan, a boy wearing an eye-patch and a baggy samurai robe drops a pile of paper on the ground and strums a power chord on his shamisen. As though by instinct, the crowd turns, silences, and gathers 'round with barely-contained excitement.
“If you must blink, do it now,” instructs Kubo (for that is his name), literally commanding the attention of his audience.
As he plucks the strings and taps
harmonic on his instrument, his paper springs to life, folding itself
into intricate figurines that run, jump, fly and do pantomimed battle
with each other, acting out the drama as Kubo narrates a tale of
adventure and heroism for the delighted onlookers.
We are (shrewdly) given no explanation
of this sorcery, and honestly, we're too bedazzled to care. Just like
the throng of villagers rapt by Kubo's paper players, when we sit
down to a Laika feature we are being treated to the most elaborate
puppet show ever imaginable. Or at least until Laika – the
stop-motion animation studio behind this thrilling illusion –
imagines a way to make it more yet elaborate for their next trick.
Labels:
2016 Review,
animated feature,
Butler (Chris),
Fiennes,
Haimes,
Knight,
Kubo and the Two Strings,
Laika,
Mara (Rooney),
McConaughey,
Parkinson,
Theron,
visual effects
Thursday, February 5, 2015
My Award Nominations: Best Actor
It seems that every year there are more brilliant leading male performances than five spots can possibly do justice to. Hey, Academy, forget Best Picture... THIS is the category you should expand!
I had no easy task settling on five for Best Actor. Ask me again tomorrow and there could be five new names entirely!
I had no easy task settling on five for Best Actor. Ask me again tomorrow and there could be five new names entirely!
Labels:
actor,
Birdman,
Carell,
Fiennes,
Foxcatcher,
Gyllenhaal (Jake),
Keaton (Michael),
My Awards,
Nightcrawler,
Oyelowo,
Selma,
The Grand Budapest Hotel
Sunday, January 4, 2015
Sunday Top Ten: Last Minute FYCs
Labels:
Captain America,
Fiennes,
Foxcatcher,
FYC,
How to Train Your Dragon,
Ida,
Knightley,
Oscars,
Princess Kaguya,
Song of the Sea,
The Boxtrolls,
Top Ten,
Whiplash,
Wild
Friday, April 18, 2014
Review - The Grand Budapest Hotel
“There are still faint glimmers of
civilization left in this barbaric slaughterhouse that was once known
as humanity,” waxes Ralph Fiennes in The Grand Budapest Hotel,
Wes Anderson's pastry-lite eulogy for a golden pre-war age of
chivalrous romanticism, classy refinement, and gaudy luxury.
Though now a desolate and scarcely
frequented relic of a bygone era, the Grand Budapest was once the
most lavishly appointed palace of 1930s Zubrowka – a fictional
European nation on the brink of an unnamed war – where it was run
by the fey and fastidious concierge Monsieur Gustave (Ralph Fiennes)
and his faithful lobby boy Zero (Tony Revolori). We hear Gustave and
Zero's story as recounted by a much older Zero (F. Murray Abraham) to
a curious author (Jude Law), whose subsequent writings of the
interview are being read decades later by an anonymous student...
… But back to the story within the
story within the story:
M. Gustave's suave gold-digging ways have won him the bequeathal of a priceless painting – the hilariously mundane “Boy With Apple” – from a recently deceased old dame (Tilda Swinton); Just one of Gustave's many wooed blondes. Intent on rescuing the art from the conniving hands of the old lady's son Dmitri (Adrien Brody) and the brass-armoured knuckles of his hit man Joplin (Wilem Dafoe), Gustave and Zero make off with the McGuffin in the name of historical preservation... until, that is, they decide a few seconds later to screw preservation and cash in on the painting.
M. Gustave's suave gold-digging ways have won him the bequeathal of a priceless painting – the hilariously mundane “Boy With Apple” – from a recently deceased old dame (Tilda Swinton); Just one of Gustave's many wooed blondes. Intent on rescuing the art from the conniving hands of the old lady's son Dmitri (Adrien Brody) and the brass-armoured knuckles of his hit man Joplin (Wilem Dafoe), Gustave and Zero make off with the McGuffin in the name of historical preservation... until, that is, they decide a few seconds later to screw preservation and cash in on the painting.
Labels:
2014 Review,
Abraham (F Murray),
Anderson (Wes),
Brody,
Dafoe,
Fiennes,
Law (Jude),
production design,
Revolori,
Stockhausen,
Swinton,
The Grand Budapest Hotel
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