One Category at a Time: Foreign Language Film

Once considered a critical laughing stock for its arcane regulations and the dubious qualities of its nominees and winners, Best Foreign Language Film has slowly but surely gained some legitimacy over the last few years. Sure, the system ain't perfect (nor will it ever be), but the implementation of the executive nominating committee has yielded some solid rosters lately.

Of course, the general nominating membership is still prone to some of their milquetoast tendancies...

My Award Nominations: Best Foreign Film

Oscar voting closes today, and believe it or not, there are still some nominees that haven't even been made available for public consumption. One of them is Argentinian foreign language film hopeful Wild Tales, which you won't find on my own Best Foreign Film ballot for the obvious reason that I haven't seen it yet.

On that note, I'll remind you of the three-word caveat that always accompanies my own choices for this category every single year: "Subject to change". I am often forced to amend and improve my five nominees up to several months (sometimes years) after the fact because there's so much good world cinema out there and so little of it gets released in North America in a timely fashion. Among the buzziest international titles from 2014 that I still have to see are the aforementioned Wild Tales (which I may be able to catch just before the Oscars), Godard's Farewell to Language, and Hungarian festival sensation White God.

That being said, even if those or any other subtitled latecomers never make it to my screen, I'd still feel adequately satisfied with these five terrific films.

Golden Globes live blog

6:44
The stars are arriving. The show will start in an hour and a bit. Pumped up!!!

(You can read lots of fashion snark on Twitter, including from me, but I'll keep this space clear until the show starts)

Foreign shortlist arrives; 'Shocking' omissions as always (but is it really shocking at this point?)

Nine films have been chosen to move on in the race for Best Foreign Language Film, and will be screened for nominating committee members over the coming weeks.

Every year, there are critically praised titles that miss this cut and have their awards hopes dashed early. For many, it even dictates whether or not they'll get a North American release. Suffering the cruel sting of omission this year is the Belgium's Two Days, One Night, centred around an acclaimed performance from Marion Cotillard (although many believe she still has an angle on a Best Actress nomination).