Early Oscar Predictions: Animated Feature

Animated films are a special case in which the vast majority of the work is carried out in post. Years are often spent on the animation alone, and that's not even taking into account all the other elements such as effects, music and sound.

Walt Disney animation has dominated lately, winning back-to-back Best Animated Feature Oscars and two Best Animated Short Oscars in the last three years, but they have no feature in contention for 2015. With one of the big three American studios sitting it out, one would think that a DreamWorks entry should make the cut, but do Home or B.O.O.: Bureau of Otherwordly Operations really strike anyone as Oscar-worthy? I have my doubts.

Instead, it may be Disney's corporate acquisition Pixar that reclaims some of their lost lustre by double dipping, as for the first time ever they are cranking out two original films in the same year.

'Dragons 2' Secures its Oscar-by-Default Position

DreamWorks' How to Train Your Dragon 2 took home six Annie Awards, including Best Animated Feature and Best Directing for writer-director Dean DeBlois. With the Golden Globe also in hand and the former frontrunner out of the way, it's looking more and more like the beloved franchise will get to bask in Oscar glory.

Speaking of that former frontrunner, Academy snubees Phil Lord and Chris Miller did get a consolation prize for Best Writing, as appropriate a place as any to honour The LEGO Movie's meta comedy stylings.

Among Dragons' remaining Oscar competition, The Boxtrolls won two richly deserved trophies (for its immaculate production design and Ben Kinsgley's inimitable performance), while Big Hero 6 took home only one (albeit a hard-earned one for it cool animated effects).

But Disney can take solace in that fact that their Best Animated Short Oscar contender Feast won its correlative category here. The crowd-pleasing toon is indeed a formidable threat for the Academy Award.

Sadly, GKIDS offerings Song of the Sea and Princess Kaguya were too modest to impress the organization. See all the winners after the cut.

One Category at a Time: Animated Feature

Guys, we need to talk about Best Animated Feature. Most years, this is one category that hardly requires discussion at all. If it isn't a slam dunk victory for one obvious frontrunner (which it almost always is), then it can at least be boiled down to a two-horse race with the also-rans far in the distance. This year was shaping up to be another easy call you could use to inflate your prediction accuracy, until the biggest shocker of nomination morning. Everyone enjoys griping about presumed snubs that ultimately don't affect the outcome of the awards race, but this is one snub that has truly blown the category wide open.

The cast of The LEGO Movie is stunned by its Oscar snub!

'Boxtrolls' leads ANNIE Award nominations

The New York critics weren't the only ones sounding off this Monday, as ASIFA-Hollywood released their loooong list of nominees. Laika's The Boxtrolls hauled in 13 nominations, the most of any contender in the field. Clearly there's a lot of respect for the craft, and rightly so.

Not too far behind with ten nominations of its own was DreamWorks' How to Train Your Dragon 2, which would be my preference for the win, but I'm not getting my hopes too high. There's a logical argument to be made that the hipness of The LEGO Movie will lead it to victory this season. We shall see.

The Best Animated Short category, meanwhile, features five of the contenders on the Oscar shortlist.

Check out all the film nominees after the cut, with some subjective commentary:

Review - How to Train Your Dragon 2

It's usually hard to get excited about the film franchises of DreamWorks Animation. In order to cling to the pop culture zeitgeist on which so many of them depend, the studio churns out sequels and spinoffs with a rapidity and middling quality that might be better suited to television! One could therefore be forgiven for being pessimistic on the prospects of a sequel to How to Train Your Dragon, a critically acclaimed box office hit that spun the quaint morality tale of how an oddball viking named Hiccup (Jay Burachel) managed to capture and bond with the most unlikely of pets: a wild dragon he named Toothless.

I quite enjoyed that film when it was released back in 2010, and my affection for it has only grown since then. Obviously, my hopes weren't too high for its inevitable follow-up, but this is one sequel for which DreamWorks deserved the benefit of the doubt. How to Train Your Dragon 2 truly delivers, and with fiery confidence to boot. Not only is it the studio's most thrilling adventure to date, but also its most thematically robust and elegantly handled as well.

The story picks up five years after the events of the first Dragon, in which time the once dragon-fearing highland village of Berk has become a more harmonious place where Vikings and dragons happily coexist. Hiccup's father Stoick (Gerard Butler) is intent on preparing his son to eventually succeed him as clan chieftain, but the soul-searching Hiccup naturally has his doubts. He'd rather devote his time to flying around on Toothless, mapping out new lands, outfitted with a tricked-out steampunk wing-suit that allows him to literally glide alongside his winged companion.

Annie Award nominations

Nominations for the 40th annual Annie Awards have been announced by ASIFA-Hollywood. Leading the pack are the prize hopefuls from the Mouse House: Pixar's Brave and Disney's Wreck-It Ralph each landed ten nominations. ParaNorman and Hotel Transylvania took eight apiece. DreamWorks' Rise of the Guardians nabbed six.

More than ever, the organization feels like one with a severe identity crisis. In order to quell backlash from the realization a few years back of a disproportionally DreamWorks-based voting membership, they have been continually tweaking their voting process to cast a very broad net. It's more of a dishonour not to be nominated! And yet they still manage to miss obvious achievements in several categories. How does Brave not get cited for storyboarding? How does Frankenweenie lose out on character design? How do Wreck-It Ralph leads John C. Reilly and Sarah Silverman get passed over for Alan Tudyk's broad impersonation of Ed Wynn in Voice Acting?

All in all, take it with a grain of salt. This group is hardly an influential one when it comes to the awards race.

Also nominated here are Animated Short shortlisters Paperman, The Longest Daycare, and Head Over Heals.

Best Animated Feature
Brave – Pixar Animation Studios
Frankenweenie – The Walt Disney Studios
Hotel Transylvania – Sony Pictures Animation
ParaNorman – Focus Features
Rise of the Guardians – DreamWorks Animation
The Pirates! Band of Misfits – Aardman Animations
The Rabbi’s Cat – GKIDS
Wreck-It Ralph – Walt Disney Animation Studios

Rango triumphs at Annie Awards

To the Annies' credit, they did a not-so-bad job of spreading the wealth at their annual awards. The Dreamworks-dominated voting body turned out to be more of a non-factor, chalking up only two wins for Kung Fu Panda 2 and nothing for Puss in Boots. Rango took five awards, including Best Animated Feature and Best Writing. Tintin, Rio, Winnie the Pooh, and Arthur Christmas also walked away with hardware in hand.

For kicks, I actually watched the show on live stream, and Oh. My. Lord. What an unmitigated train-wreck. Host Patton Oswalt was clearly having much more fun than anyone else in the room (he did confess to being "so high right now" at one point, but we'll never know if that was just his tongue in his cheek, or a concealed bag of weed). To be fair, he does seem unshakably at home on the stage, and with a bit more structure, I think he'd make a killer awards show host.

Structure, however, was in short supply at this affair. Bill Nighy was announced winner of the award for voice acting, only to walk out of the hall and never return! Tweets abound that he was in the bathroom at the time. True or not, he certainly wasn't in the room, leaving presenters Kathleen Kennedy and Frank Marshall clumsily killing time while everyone waited. They eventually moved on, as Nighy made no appearance. Funnier still, the award was for Arthur Christmas, but they played the theme music from the PBS children's cartoon series Arthur.

I thought things couldn't possibly get more awkward than that, but the next presenter proceeded to read the winner for Best Preschool TV Program from the wrong envelope! This led to a confusing delay that was both hilarious and excruciating, while Patton himself marched out on stage to sort things out. Co-presenter Jason Marsden, meanwhile, delighted in photographing the awkward situation with his iPhone.

These are only the highlights from a shoddily put together evening. The whole thing kinda makes me appreciate the oft-maligned Oscars a little more. I may have high-standard complaints about the show every year, but at least it's done professionally.

Anyway, full list of feature film winners after the cut.

ADG, Annie preview

Not much to do nowadays but twiddle our thumbs waiting for February 26th, but at least some scattered guild announcements will keep us from nodding off to sleep.

The Art Directors Guild will have its say tonight, where I expect Oscar nominees Hugo and Harry Potter will come up big in the Period and Fantasy categories respectively. They seldom show much imagination in the Contemporary category, which usually goes to whatever nominee has the most Best Picture buzz. At that, I'll make my guess for The Descendants, even though it should be The Girl with the Dragon Tattoo by a country mile.

Meanwhile, the Annie Awards also land tonight. I'm not sure how they'll be distributed, but you can expect the feature film categories to be shared between Dreamworks' Kung Fu Panda 2 and Puss in Boots.

One Category at a Time: Animated Feature

I've already sounded off on how I perceive the state of animation this year, but allow me to reiterate: weak sauce. Not that any of these nominees are particularly bad, but I have a hard time mustering up much enthusiasm for most of them.

Animation catch-up

I've been behind on reviewing a lot of movies this year, including some animated products. There have been plenty this year, enough to bump the Academy's maximum nomination field to five, but I have to admit I really haven't been thrilled at the state of the medium this year. I've only seen a hand-full so far, and for posterity I've given each a summarized mini review after the cut. Others I either haven't seen yet or have been scared off by weak reviews.

ANNIE nominees (there sure are a lot this year!)

The animation academy never fails to impress me with their irrelevance. As though their blatant Dreamworks predisposition isn't conspicuous enough, they've now gone and produced a slate of nominees by far more enormous than any they've produced before, and in what I consider to be the weakest year for animation in half a decade. Still, they're the only major awards body for the medium, so it bears acknowledgment.

It also bears acknowledgment that despite such a long Best Animated Feature shortlist, Rango is the only one that also grabbed nods for Writing and Directing. Is it still the frontrunner after all these months? I didn't love it by any stretch of the imagination, but it certainly bests most of its fellow nominees (not that I've seen all of them yet).

Best Animated Feature

A Cat in Paris – Folimage
Arrugas (Wrinkles) - Perro Verde Films, S.L.
Arthur Christmas – Sony Pictures Animation, Aardman Animations
Cars 2 – Pixar Animation Studios
Chico & Rita – Chico & Rita Distribution Limited
Kung Fu Panda 2 – DreamWorks Animation
Puss In Boots – DreamWorks Animation
Rango – Paramount Pictures and Nickelodeon Movies
Rio – Blue Sky Studios
Tintin – Amblin Entertainment, Wingnut Films and Kennedy/Marshall

Best Animated Short Subject

Adam and Dog – Lodge Films
I Tawt I Taw A Puddy Tat – Warner Bros. Animation
La Luna – Pixar Animation Studios
(Notes on) Biology – Ornana Films
Paths of Hate – Platige Image
Sunday – National Film Board of Canada
The Ballad of Nessie –Walt Disney Animation Studios
The Girl and the Fox – Base14
Wild Life – National Film Board of Canada and Studio GDS

Annie Award winners: Dragon dominates

How to Train Your Dragon owned the Annies, winning all ten of the feature animation categories. Who could've seen that coming, right? (wink, wink)

It's a pity that the Dreamworks-dominated voting body of the International Animation Film Society-Hollywood wasn't thoughtful enough to spread the love around to some other talent who really deserved it more than How to Train Your Dragon in some categories, but the expectation that this would happen does soften the hurt. Plus, a sweep for this delightful fable is by far less outrageous than the Kung-Fu Panda sweep two years ago. Consider this one last "hooray!" for the film before it loses the Oscar. And it is nice to see John Powell win at least something this season for his wonderful score.

Best Animated Feature: How to Train Your Dragon
Best Directing in a Feature Production: Chris Sanders and Dean DeBlois, How to Train Your Dragon
Best Writing in a Feature Production: William Davies, Dean DeBlois and Chris Sanders, How to Train Your Dragon
Best Animated Short: Day and Night

The rest after the cut.

One Category at a Time: Animated Feature

Alright. Phase 1 is over and done with, and I think most will agree that despite The Social Network's unprecedentedly strong start with the critics, it's The King's Speech that came hurtling into Phase 2 with the most momentum at just the right time. So with 22 business days remaining until Oscar night, that leaves me just enough time to get down to what I love to do; a category-by-category breakdown of the nominees, who should win, who will win.
Starting off is Best Animated Feature. Regrettably, the list of submissions this year was one short of making that arbitrary magic number of 16, so the field of nominees could be no larger than three, resulting in the sad exclusion of the wonderful Tangled. As consolation, however, we still have a trio of terrific movies, any of which would make a deserving winner.

Obviously, Toy Story 3 is the one to beat. Its whimsical humour and heartstring-tugging finale were more than enough to push it into the Best Picture race. Much like Up last year, that should really be all the information we need to call it for a victory here.

But is it an "easy" victory?

The other two nominees will take some votes as well. Maybe not so much The Illusionist, which simply doesn't have as big an audience, but How to Train Your Dragon has its champions. Dreamworks showed us that they are capable of telling stories with genuine emotion behind them, and that's the sort of movie that gets votes. Probably not enough to topple the Toys, but hopefully this is a sign that Dreamworks is on the track for a creative hot streak.

Will win: Toy Story 3
Runner-up: How to Train Your Dragon

Should win: Toy Story 3
Should have been nominated: Tangled

Review - Megamind

Megamind is the second animated feature we've received this year with the specific plot line of a super villain who comes to learn that

being good > being bad

The preceding one, of course, was Illumination Entertainment's Despicable Me. The first question that immediately jumps to my mind is “did we really need two of these movies in one year?”. If Megamind had been released first, my answer would be a resounding “NO!”. But since it's a marked (if unremarkable) improvement over the treacly stickiness of Despicable Me, I can at least stifle an indifferent “I guess so”.

The film starts out almost like a Kryptonian version of Monty Python's Life of Brian, wherein the possible destiny of one child (future super villain Megamind, voiced by Will Ferrel) is unceremoniously snatched away by another (future superhero Metro Man, Brad Pitt channeling George Clooney). In predictable fashion, Megamind (and us) are eventually lead to the discovery that he's been capable of being a good guy all along, while Metro Man, however charismatic and God-like – the animators go so far as to have him walking on water at one point! – turns out to be vain and selfish. There's also a bumpy love interest with reporter Roxanne Ritchie (Tina Fey) and a rivalry for her affections with cameraman Hal (Jonah Hill).

To say Megamind is better than Despicable Me is not high praise (nor is it intended to be), but what puts it a notch above and makes it watchable is the humour, which is decidedly amusing if nothing else. A number of the one-liners tickled hearty guffaws out of me, as did the vocal performances and the crisp, comic animation, which DreamWorks has become quite practiced at. Laughs cannot, however, save the film entirely from its inconsistent characterizations, which sees principal characters jumping erratically from sincere and sympathetic to snarky and sarcastic (yay for alliterations!).

In a field of five, this might be good enough to scrape a Best Animated Feature nomination, but with the number of eligible entries hovering just below that magic number of 16, it doesn't look like there will be enough positions to accommodate more than one DreamWorks film (How to Train Your Dragon is obviously in).

**1/2 out of ****