Obviously, it's impossible to judge a
film's soundtrack before it's released, or even recorded which may be
the case with many of this year's upcoming prospects. Thankfully for
us obsessive prognosticators, the music branch has some old habits
that can lay the foundation for early guesswork. For starters, they
are notoriously insular, usually only choosing one or two first-time
nominees per year in the Best Original Score category.
With Desplat's name crossed off the
list of people waiting patiently for their Oscars, the music branch
might focus their efforts on Thomas Newman. The ten-time nominee has
four high-profile scores coming out this year, including Pixar's The
Good Dinosaur, Sam Mendes' Spectre, and -- in an unusual departure
from John Williams -- Steven Spielberg's Bridge of Spies. Which ones
will be nominated, if any, are anyone's guess.
After winning his Oscar for Up, Michael
Giacchino's talents have been somewhat wasted on sub-par Pixar
sequels Cars 2 and Monsters U. Inside Out will hopefully give him an
opportunity to stretch his musical imagination once more and crank
out some fresh themes. He also has Tomorrowland and Jurassic World in play.
Another past winner with lots of
options for the music branch is Dario Marianelli. He's been nominated
thrice for the works of Joe Wright, all of them with sweeping
European flavor. Maybe Pan or Baltasar Kormakur's Everest will give him the chance
to play with some more adventurous motifs.
And I suppose I should leave room for a
newbie nominee. Let's go with... Roque Banos for In the Heart of the
Sea... I guess? It looks like it should be a rip-roaring high seas
epic, and if the music fits that bill, it's as decent a prediction as
any at this point.
Trying to anticipate Best Original Song is pure folly this far in advance, but I'll guess five titles anyway: The Good Dinosaur, Inside Out, Ricki and the Flash, Spectre, Mockingjay: Part 2.