It seems that every year there are more brilliant leading male performances than five spots can possibly do justice to. Hey, Academy, forget Best Picture... THIS is the category you should expand!
I had no easy task settling on five for Best Actor. Ask me again tomorrow and there could be five new names entirely!
STEVE CARELL in Foxcatcher
I had no easy task settling on five for Best Actor. Ask me again tomorrow and there could be five new names entirely!
STEVE CARELL in Foxcatcher
Talk
all you want about how unrecognizable Carell is, but his embodiment of
the unstable John Du Pont would be just as scary without the physical
transformation. He delivers his lines with a coarse whisper and a
hollow gaze that belie a host of psychological complexes clashing in
his liver-spotted head.
RALPH
FIENNES in The Grand Budapest Hotel
Fiennes
reminds us that the fine art of comedy is also very much in his
wheelhouse, rifling off a dense litany of verbose witticisms with the
infallible timing of a tightly wound Rolex. He is a priggish delight,
and proves greatly successful at channelling the tone of Anderson's
wistful yet occasionally prickly humour.
JAKE
GYLLENHAAL in Nightcrawler
Lou
Bloom's dedication to those entrepreneurial platitudes of his is
often played for chuckles as much as it intends to put us on edge.
It's a difficult tone for Gyllenhaal to navigate, but he manages to
pull it off, and memorably at that. His nightcrawler really worms his
way under your skin, and stays there.
MICHAEL
KEATON in Birdman
We
can't know the extent to which Keaton's own history informs his
performance, but he's tapped into something truly special here. Ever
the versatile performer, he plays Riggan as a grounded human being
and as an artist driven mad with equal conviction, building to an
epiphany that's as terrifying as it is bleakly comical.
DAVID OYELOWO in Selma
As effective as Oyelowo is at channeling the hair-raising timber and
cadence of King's mighty speaking voice, he's even more impressive when grappling
silently with the human cost of his crusade. His most affecting moments are not of booming oration, but when he expresses his doubt and shame with the slightest of facial gestures.
As effective as Oyelowo is at channeling the hair-raising timber and
cadence of King's mighty speaking voice, he's even more impressive when grappling
silently with the human cost of his crusade. His most affecting moments are not of booming oration, but when he expresses his doubt and shame with the slightest of facial gestures.
Just missed:
BEN AFFLECK in Gone Girl
PHILLIP SEYMOUR HOFFMAN in A Most Wanted Man
PHILLIP SEYMOUR HOFFMAN in A Most Wanted Man
EDDIE REDMAYNE in The Theory of Everything
ANDY SERKIS in Dawn of the Planet of the Apes
CHANNING TATUM in Foxcatcher
CHANNING TATUM in Foxcatcher